Isaac Gómez (they/them) is an award-winning Chicago and Los Angeles based playwright and screenwriter originally from El Paso, Texas/Ciudad Juárez, Mexico. They identify as na’wi – the third gender marker of the Rarámuri, a Mexican indigenous community in northern Chihuahua, of which they’re a direct descendent. They’re currently under commission with LCT3, Steppenwolf Theater Company, South Coast Repertory, Denver Center for the Performing Arts, and IAMA Theatre Company. Their plays have been produced by Audible Theater, Steppenwolf Theatre Company, Primary Stages, Oregon Shakespeare Festival, Goodman Theatre, the Alley Theatre, and many others. Their television credits include the Netflix Original Series “Narcos: Mexico,” the upcoming Apple TV+ Limited Series “The Last Thing He Told Me,” and the second season of Paramount TV+’s “Joe Picket.” They currently have a series in development with Stacey Sher and FX as well as a full-length feature with Focus Features.

Isaac Gómez (they/them/elle) es une dramaturgo y guionista premiado basade en Chicago y Los Ángeles originalmente de El Paso, Texas/Ciudad Juárez, Mexico. Elle se identifica como na’wi – el tercer marcador de género de los Rarámuri, una comunidad Mexicana indigena en el norte de Chihuahua, de los cual elle es un descendiente directo. Actualmente están bajo comisión con LCT3, La Compañía de Teatro Steppenwolf, Repertorio South Coast, el Centro para las Artes Escénicas de Denver, y la Compañía de Teatro IAMA. Sus obras han sido producidas por el Teatro Audible, Compañía de Teatro Steppenwolf, Primary Stages, Festival de Shakespeare de Oregon, Teatro Goodman, el Teatro Alley, y muchos otros. Sus créditos de televisión incluyen la Serie Original de Netflix “Narcos: Mexico,”, la proxima Serie Limitada de Apple TV+ “The Last Thing He Told Me,” y la segunda temporada de Paramount TV+ “Joe Picket.” Elle actualmente tiene una serie en desarrollo con Stacey Sher y FX, al igual que un largometraje con Focus Features. 

Erika L. Sánchez (she/her) is the daughter of Mexican immigrants. She is the author of Lessons on Expulsion, I Am Not Your Perfect Mexican Daughter, and Crying in the Bathroom. I Am Not Your Perfect Mexican Daughter will soon be a feature film directed by America Ferrera. She is the Sor Juana Inés de la Cruz Chair at DePaul University and lives in Chicago with her family. erikalsanchez.com, @erikalsanchez

Erika L. Sánchez (she/her/ella) es la hija de inmigrantes Mexicanos. Ella es la autora de Lessons on Expulsion, Yo No Soy Tu Perfecta Hija Mexicana, y Crying in the Bathroom. Yo No Soy Tu Perfecta Hija Mexicana pronto será una película dirigida por America Ferrera. Ella es la Directora de Sor Juana Inés de la Cruz en la Universidad DePaul y vive en Chicago con su familia. erikalsanchez.com, @erikalsanchez 

Juliette is thrilled to return to Seattle Rep where she directed The Cook, brownsville song (b-side for tray), The Brothers Size, and Two Trains Running. She has directed critically acclaimed premiere and revival productions in theaters across the country including Oregon Shakespeare Festival, Mark Taper Forum, South Coast Repertory, Yale Repertory, Denver Theater Center, and Arena Stage. Her world premiere, Carmen Aguirre’s Anywhere But Here, was produced in Vancouver, B.C., with current plans to tour internationally. She is a recipient of several honors, including the prestigious NEA/TCG Directing Fellowship, the Princess Grace Award, and the Sundance/Luma Foundation Theater Directors' Retreat in Arles, France. She is a Yale School of Drama graduate and on faculty at University of California, Irvine. juliettecarrillo.com 

Juliette está emocionada de regresar al Seattle Rep donde dirigió The Cook, brownsville song (b-side for tray), The Brothers Size, y Two Trains Running. Ella ha dirigido producciones de estreno y reestreno aclamadas por las críticas en teatros alrededor del país, incluyendo el Festival de Shakespeare de Oregon, Mark Taper Forum, Repertorio South Coast, Repertorio Yale, Centro de Teatro de Denver, y Arena Stage. Su estreno mundial, Anywhere But Here de Carmen Aguirre, fue producido en Vancouver, B.C., con planes actuales de gira internacional. Ella es la recipiente de varios honores, incluyendo la prestigiosa Beca de Dirección NEA/TCG, el premio Princess Grace, y el Retiro de Directores de Teatro en Arles, Francia de Sundance/Fundacion Luma. Ella es una graduada de la Escuela de Drama de Yale y es parte de la facultad de la Universidad de California, Irvine. juliettecarrillo.com 

Mexican-American Scenic Designer born and raised in East Los Angeles. Recipient of Henry Awards for Denver Center for the Performing Arts productions of In The Upper Room and Quixote Nuevo. Recipient of a LA Weekly Theater Award for both Production Design and Lighting Design for Poor Dog Group’s Brewsie and Willie. Nominated for an Ovation Award in Best Scenic Design for Culture Clash’s Bordertown Now as well as a Barrymore Award in Outstanding Scenic Design for Bienvenidos Blancos with Team Sunshine Corporation and Mushroom at People's Light. Head of Scenic Design at UC Irvine. 

Diseñador de escenografía mexicano-americano, nacido y criado en East Los Angeles. Ganador de Premios Henry por las producciones de In The Upper Room y Quixote Nuevo en el Denver Center for the Performing Arts. Ganador de un Premio de Teatro LA Weekly tanto por Diseño de Producción como por Diseño de Iluminación en Brewsie and Willie de Poor Dog Group. Nominado a un Premio Ovation al Mejor Diseño Escenográfico por Bordertown Now de Culture Clash, así como a un Premio Barrymore al Mejor Diseño Escenográfico por Bienvenidos Blancos con Team Sunshine Corporation y Mushroom en People's Light. Jefe de Diseño Escenográfico en UC Irvine

Danielle Nieves (she/her) is honored to be collaborating with the incredible artists at Seattle Rep. Regional credits for costume design include Clean/Espejos (South Coast Rep), Beauty and the Beast (The 5th Avenue Theatre), Public Works’ The Winter's Tale (Seattle Rep), American Mariachi (Dallas Theater Center/The Goodman Theatre/Alabama Shakespeare Festival/Cleveland Playhouse), Real Women Have Curves (Dallas Theater Center), and Behold the Dreamers (Book-It Repertory Theatre). Off-Broadway: Pity in History, No End of Blame, Gertrude – The Cry, and Lovesong of the Electric Bear. Danielle holds an M.F.A. in Costume Design from the University of California, Irvine and a curatorial certification for Japanese and Western costumes from the Kyoto Costume Institute. daniellenieves.com

Danielle Nieves (she/her/ella) se siente honrada de estar colaborando con tan increíbles artistas en el Seattle Rep. Créditos regionales para diseño de vestuario incluyen Clean/Espejos (South Coast Rep), Beauty and the Beast (El Teatro 5th Avenue), Public Works’ The Winter’s Tale (Seattle Rep), American Mariachi (Centro de Teatro de Dallas/Teatro Goodman/Festival de Shakespeare de Alabama/Cleveland Playhouse), Real Women Have Curves (Centro de Teatro de Dallas), and Behold the Dreamers (Teatro Repertorio Book-It). Off-Broadway: Pity in History, No End of Blame, Gertrude – The Cry, y Lovesong of the Electric Bear. Danielle tiene una Maestría en Bellas Artes en Diseño de Vestuario de la Universidad de California, Irvine y una certificación curatorial para vestuarios Japoneses y Occidentales del Instituto de Vestuario de Kyoto. daniellenieves.com 

Robert J. Aguilar (he/him), LatinX. Previous designs for Seattle Rep: Indecent, In the Heights, Tiny Beautiful Things, MAC BETH, A Raisin in the Sun, I Am My Own Wife, Lizard Boy, and many others. Regional credits include work at Portland Center Stage, ACT, The 5th Avenue Theater, The Old Globe, Pittsburgh Public Theater, Denver Center for the Performing Arts, Intiman Theater, Utah Shakespeare Festival, Cincinnati Playhouse in the Park, Milwaukee Rep, and Village Theatre. Film: The Jinkx and Dela Holiday Special, Potato Dreams of America. Robert is the Lighting Director at Seattle Rep and a member of USA829. robertjaguilar.com, @fake_robert

Robert J. Aguilar (he/him/el), LatinX. Diseños previos para el Seattle Rep: Indecent, In the Heights, Tiny Beautiful Things, MAC BETH, A Raisin in the Sun, I Am My Own Wife, Lizard Boy, y muchos otros. Créditos regionales incluyen trabajo en el Escenario Central de Portland, ACT, El Teatro 5th Avenue, El Old Globe,Teatro Público de Pittsburgh, Centro para las Artes Escénicas de Denver, Teatro Intiman, Festival de Shakespeare de Utah, Cincinnati Playhouse in the Park, Milwaukee Rep, y Teatro Village. Películas: The Jinkx and Dela Holiday Special, Potato Dreams of America. Robert es el Director de Iluminación del Seattle Rep y un miembro de USA829. robertjaguilar.com, @fake_robert 

John Nobori is a California-based sound designer and an ensemble member of Cornerstone Theater Company. His work has been heard in plays produced by such organizations as South Coast Repertory, Pasadena Playhouse, and Oregon Shakespeare Festival. He is the recipient of the 2016 Ovation Award for his work on The Golden Dragon at Boston Court Pasadena. B.A. University of California, Irvine. 

John Nobori es un diseñador de sonido basado en California y un miembro de la Compañía de Teatro Cornerstone. Su trabajo ha sido oído en obras producidas por organizaciones como el Repertorio South Coast, Pasadena Playhouse, y el Festival de Shakespeare de Oregon. El es el recipiente del Premio Ovación 2016 por su trabajo en The Golden Dragon en Boston Court Pasadena. Licenciatura en Artes, Universidad de California, Irvine. 

Jess K Smith (she/her) is a freelance director, intimacy director with Pacific Northwest Theatrical Intimacy, Founding Artistic Director of ARTBARN, and Chair and Associate Professor of Theatre Arts at the University of Puget Sound. She loves creating work with imaginative interplay between heightened physicality and naturalistic scene work whether in the context of generative work, adaptations, interdisciplinary collaborations, new plays, or classic texts. Her work has been featured on stages in New York, Seattle, Portland, Anchorage, on the streets of Prague, and in a black box in Cape Town, South Africa. She received her M.F.A. in Directing at Columbia University under Anne Bogart. jessksmith.com

Jess K Smith (she/her/ella) es una directora independiente con Intimidad Teatral del Noroeste Pacifico, Director Artístico Fundador de ARTBARN, y Director y Profesor Asociado de Artes de Teatro en la Universidad de Puget Sound. Ella ama crear trabajo con interacciones imaginativas entre una física intensificada y el trabajo de escena naturalístico, ya sea en el contexto de obras generativas, adaptaciones, colaboraciones interdisciplinarias, obras nuevas, o textos clásicos. Su trabajo ha sido presentado en los escenarios de Nueva York, Seattle, Portland, Anchorage, en las calles de Prague, y en teatro de caja negra en Cape Town, Sur Africa. Ella recibió su Maestría en Bellas Artes en Dirección de la Universidad Columbia bajo Anne Bogart. jessksmith.com

Kate Myre is a professor at Cornish College of the Arts and works nationally as a voice over artist and dialect coach. She has worked extensively with Pulitzer and Tony Award-winning playwright and director Brian Yorkey, and dialect and text coached his Netflix series "13 Reasons Why" as well as "Echoes" (2022) and "Outer Banks." In Oslo, Norway she coached the acclaimed production of The Hamlet Complex at the Royal Opera House, directed by Alan Oyen. She has coached for Seattle Rep, Seattle Children’s Theatre, ACT, Village Theatre, Seattle Public Theater, Immediate Theatre, Borealis Theater, Theater Schmeater, Jack Straw Foundation, and Boston Repertory Theatre. She is pleased and grateful to be working with Seattle Rep again. 

Kate Myre es un profesor en el Colegio de las Artes Cornish y trabaja nacionalmente como un artista de voz y director de dialecto. Ella ha trabajado extensivamente con el dramaturgo y director ganador de premios Pulitzer y Tony, Brian Yorkey, y fue la entrenadora de dialecto y texto para su serie de Netflix, "13 Reasons Why" al igual que "Echoes" (2022) y "Outer Banks." En Oslo, Noruega, ella entrenó a la aclamada producción de The Hamlet Complex en la Real Casa de la Ópera, dirigida por Alan Oyen. Ella ha sido entrenadora para el Seattle Rep, el Teatro Infantil de Seattle, ACT, Teatro Village, Teatro Público de Seattle, Teatro Immediate, Teatro Borealis, Teatro Schmeater, la Fundación Jack Straw, y el Teatro Repertorio de Boston. Ella está feliz y agradecida de estar trabajando con el Seattle Rep de nuevo.

Michelle Lopez-Rios (she/her) began her professional theater career in Seattle acting in the ACT production of Hospitality. Since then, she has acted, directed, and coached around the world. Voice and dialect coaching credits include: Clyde's, Father Comes Home From the Wars (Parts 1, 2 & 3), Measure for Measure (Goodman Theatre); Familiar (Steppenwolf); Julius Caesar, Mojada (Oregon Shakespeare Festival); The Nativity Variations, The Foreigner (Milwaukee Rep); The Brothers Size, The Good Father, The Train Driver (Milwaukee Chamber Theatre); Othello, The Taming of the Shrew, The Comedy of Errors, Hamlet (Houston Shakespeare Festival); and Havoc (Netflix). Michelle is an Associate Professor of Voice and Speech at The Theatre School at DePaul and will direct Carmela Full of Wishes at Seattle Children’s Theatre in February 2023. 

Michelle Lopez-Rios (she/her/ella) empezó su carrera profesional de teatro en Seattle actuando en la producción de ACT, Hospitality. Desde entonces, ella ha actuado, dirigido, y entrenado alrededor del mundo. Créditos de entrenador de voz y dialecto incluyen: Clyde's, Father Comes Home From the Wars (Parts 1, 2 & 3), Measure for Measure (Teatro Goodman); Familiar (Steppenwolf); Julius Caesar, Mojada (Festival de Shakespeare de Oregon); The Nativity Variations, The Foreigner (Milwaukee Rep); The Brothers Size, The Good Father, The Train Driver (Teatro de Milwaukee Chamber); Othello, The Taming of the Shrew, The Comedy of Errors, Hamlet (Festival de Shakespeare de Houston); y Havoc (Netflix). Michelle es un Profesor Asociado de Voz y Habla en la Escuela de Teatro en la Universidad DePaul, y va a dirigir Carmela Full of Wishes en el Teatro Infantil de Seattle en Febrero, 2023. 

Production Stage Manager, Seattle Rep, she/her. Select stage management credits: The Winter’s Tale, The Odyssey, As You Like It (Seattle Rep’s Public Works); The Servant of Two Masters (Seattle Rep, Shakespeare Theatre Company, Guthrie Theater, ArtsEmerson); Shout Sister Shout!, MAC BETH, Here Lies Love, A Raisin in the Sun, All the Way, The Great Society, The Piano Lesson, Boeing Boeing, FSences, Gem of the Ocean (Seattle Rep); Beauty and the Beast, Cinderella, Guys and Dolls, Cabaret (The 5th Avenue Theatre); Angels in America, A Doctor In Spite of Himself (Intiman Theatre); A Raisin in the Sun (Pittsburgh Public Theater); Brooklyn Bridge, Lyle the Crocodile (Seattle Children’s Theatre).

Director de Escena de Producción, Seattle Rep, she/her/ella. Créditos selectos de dirección de escena: The Winter’s Tale, The Odyssey, As You Like It (Obras Públicas del Seattle Rep); The Servant of Two Masters (Seattle Rep, Compañía de Teatro de Shakespeare, Teatro Guthrie, ArtsEmerson); Shout Sister Shout!, MAC BETH, Here Lies Love, A Raisin in the Sun, All the Way, The Great Society, The Piano Lesson, Boeing Boeing, Fences, Gem of the Ocean (Seattle Rep); Beauty and the Beast, Cinderella, Guys and Dolls, Cabaret (El Teatro 5th Avenue); Angels in America, A Doctor In Spite of Himself (Teatro Intiman); A Raisin in the Sun (Teatro Publico de Pittsburgh); Brooklyn Bridge, Lyle the Crocodile (Teatro Infantil de Seattle). 

Stefania Giron Zuluaga (she/her) is a freelance stage manager. Select credits include A Christmas Carol (ACT Theatre); Quixote Nuevo (South Coast Rep); I Am Not Your Perfect Mexican Daughter and The Tempest (Seattle Rep); Destiny of Desire (The Old Globe); Into the Woods: Rising Star Project (The 5th Avenue Theatre); Little Shop of Horrors, Mamma Mia!, and The Book Club Play (Village Theatre). She holds a B.A. in Theatre from Seattle University. @stefania.giron.zuluaga

Stefania Giron Zuluaga (ella) es una directora de escena independiente. Algunos de sus créditos incluyen A Christmas Carol (ACT Theatre); Quixote Nuevo (South Coast Repertory); I Am Not Your Perfect Mexican Daughter and The Tempest (Seattle Rep); Destiny of Desire (The Old Globe); Into the Woods: Rising Star Project (The 5th Avenue Theatre); Little Shop of Horrors, Mamma Mia! y The Book Club Play (Village Theatre). Tiene una licenciatura en Teatro de Seattle University. @stefania.giron.zuluaga

Daira Rodriguez is a director and dramaturg from the Chicagoland area with a passion for new works, devising, and working with young minds. Daira recently graduated from Northwestern University with a major in Theatre and minor in Gender and Sexuality Studies. Recent productions include serving as director for the premiere of The Bloody Bricks and Blows of American Dream High by Gabriela Coutinho Furtado and as a dramaturg for Elyse and Mae Play the Most Epic Game of Life Ever by Kandace Mack. Daira is inspired most by the works of Isabel Allende, Gabriel Garcia Marquez, and Tahliah Debrett Barnett.

Rosemary is a freelance stage manager and producer who's been working in the Seattle scene ever since she stumbled her way into theater in 2018. She's been dreaming of this apprenticeship for nearly just as long, and is completely thrilled to be working with such an incredible team of stage managers. She's also worked with many other local companies such as Book-It, Sound Theatre Company, UMO Ensemble, Freehold, Dacha, Washington Ensemble Theatre, and many other independent projects. She is also the production manager of Seattle Public Theater. As always, she'd like to thank her boyfriend, who's love and support makes all of her work possible.

Sofía Raquel Sánchez (they/them/elle) is a bi-coastal actor and playwright. Their acting work includes Seattle Rep’s Ghosts (u/s Regina), Washington Ensemble Theater’s Dance Nation (Amina), Seattle Shakespeare Company’s Romeo and Juliet (Romeo), Seattle Children’s Theatre’s Ghosted (Kayla), Strawberry Theatre Workshop’s Lydia (Ceci), and more. Sánchez’s playwriting work includes their new musical with composer Rafael Molina, La Violencia, in partnership with Village Theater’s Northwest Creator Residency; their one-act, I Think I Love You, with Copious Love Productions; and their 10-min play, Mi Cielo, with Penguin Productions. Shout out to their favorite composer and fiancé, Rafael Molina. sofiaraquelsanchez.com, @sofia.raquel.sanchez  

Sofía Raquel Sánchez (they/them/elle) es une actore y dramaturge de ambas costas. Su trabajo de actuación incluye Ghosts (su. Regina) del Seattle Rep, Dance Nation (Amina) del Teatro del Washington Ensemble, Romeo and Juliet (Romeo) de la Compañía de Shakespeare de Seattle, Ghosted (Kayla) del Teatro Infantil de Seattle, Lydia (Ceci) del Taller de Teatro Strawberry, y más. El trabajo dramatúrgico de Sánchez incluye su nuevo musical con el compositor Rafael Molina, La Violencia, en colaboración con la Residencia de Creador del Noroeste del Teatro Village; su obra de un acto, I Think I Love You, con Producciones Copious Love; y su obra de 10 minutos, Mi Cielo, con Producciones Penguin. Saludos a su compositor favorito y prometido, Rafael Molina. sofiaraquelsanchez.com, @sofia.raquel.sanchez  

Karen Rodriguez makes her Seattle Rep debut. She is an ensemble member of the Steppenwolf Theatre Company in Chicago. There, she was most recently seen in the world premiere of I Am Not Your Perfect Mexican Daughter and on the mainstage in The Seagull, Dance Nation, La Ruta, The Doppelgänger (an international farce) starring alongside Rainn Wilson, and The Rembrandt starring alongside Francis Guinan and the great John Mahoney. Other selected Chicago credits include The Way She Spoke (Greenhouse Theater Center), Breach (Victory Gardens Theater), The Displaced (Haven Theatre), Hookman (Steep Theatre), Blue Skies Process (Goodman Theatre). Television credits include recurring guest star roles on “The Big Leap” (FOX), “Shining Girls” (Apple TV+) with Elisabeth Moss, and the upcoming season 2 of “Power Book IV: Force” on STARZ. @xkarenxrodriguez

Karen Rodriguez hace su debut del Seattle Rep. Ella es un miembro de compañía en la Compañía de Teatro Steppenwolf en Chicago. Ahí, ella fue vista más recientemente en el estreno mundial de Yo No Soy Tu Perfecta Hija Mexicana y en el escenario principal en The Seagull, Dance Nation, La Ruta, The Doppelgänger (una farce international) protagonizando junto a Francis Guinan y el gran John Mahoney. Otros créditos selectos de Chicago incluyen The Way She Spoke (Centro de Teatro Greenhouse), Breach (Teatro Victory Gardens), The Displaced (Teatro Haven), Hookman (Teatro Steep), Blue Skies Process (Teatro Goodman). Créditos de televisión incluyen papeles recurrentes de aparición especial en “The Big Leap” (FOX), “Shining Girls” (Apple TV+) com Elisabeth Moss, y la próxima temporada 2 de “Power Book IV: Force” en STARZ. @xkarenxrodriguez 

Jazmín Corona (she/her) is thrilled to be making her Seattle Rep debut. She is based in Chicago and was most recently seen as the title role in Alma (American Blues Theater). Select Chicago credits include Hurricane Diane (Theater Wit); Zulema (Goodman/Sones de Mexico); Roe (Goodman Theatre); Shrew’d and Macbeth (First Folio Theatre); I Am Not Your Perfect Mexican Daughter and The Compass (Steppenwolf Theatre, u/s); 1776 (Porchlight Music Theatre); Women of 4G (Babes With Blades); A Work Of Art (Chicago Dramatists); Two Mile Hollow (First Floor Theater); Sherlock Holmes and the Case of the Christmas Goose (Raven Theatre). TV credits include “Chicago Fire” (NBC). Ms. Corona is proudly represented by DDO Chicago. @coronitajazmin

Jazmín Corona (she/her/ella) está emocionada de estar haciendo su debut del Seattle Rep. Ella está basada en Chicago y más recientemente fue vista en el papel titular de Alma (Teatro American Blues). Créditos selectos de Chicago incluyen Hurricane Diane (Teatro Wit); Zulema (Goodman/Sones de Mexico); Roe (Teatro Goodman); Shrew’d y Macbeth (Teatro First Folio); Yo No Soy Tu Perfecta Hija Mexicana y The Compass (su. Teatro Steppenwolf); 1776 (Teatro Porchlight Music); Women of 4G (Babes With Blades); A Work Of Art (Chicago Dramatists); Two Mile Hollow (Teatro First Floor); Sherlock Holmes and the Case of the Christmas Goose (Teatro Raven). Créditos de TV incluyen “Chicago Fire” (NBC). Srta. Corona está orgullosamente representada por DDO Chicago. @coronitajazmin 

Eddie Martinez (he/him) is a Teatro Vista ensemble member seen in Parachute Men, Fade, and Hope (Victory Gardens and Den Theatre). Other credits include I Am Not Your Perfect Mexican Daughter, Our Lady of 121st Street (Steppenwolf); Native Gardens (Old Globe); Fade (Denver Center, Cherry Lane, TheaterWorks); As You Like It (Denver Center); Big Lake Big City, Cascabel (Lookingglass); Rightlynd (Victory Gardens); Romeo y Julieta (Chicago Shakespeare). Film/TV credits include “Sense8” (Netflix), “Sirens” (USA), “Chicago Fire” (NBC), “Shameless” (Showtime) and The Dilemma (Universal).

Eddie Martinez (he/him/el) es un miembro de compañía del Teatro Vista visto en Parachute Men, Fade, y Hope (Teatro Victory Gardens y Teatro Den). Otros créditos incluyen Yo No Soy Tu Perfecta Hija Mexicana, Our Lady of 121st Street (Steppenwolf); Native Gardens (Old Globe); Fade (Denver Center, Cherry Lane, TheaterWorks); As You Like It (Denver Center); Big Lake Big City, Cascabel (Lookingglass); Rightlynd (Victory Gardens); Romeo y Julieta (Chicago Shakespeare). Creditos de Pelicula/TV incluyen “Sense8” (Netflix), “Sirens” (USA), “Chicago Fire” (NBC), “Shameless” (Showtime), y The Dilemma (Universal). 

South Florida native, Chicago transplant. Regional theater credits: West Side Story (Marriott Theatre), Grease (Marriott Theatre), NEWSIES (Skylight Music Theater), Gypsy (Porchlight Music Theater), Hello Again (Theo Ubique Cabaret Theatre), Seussical (Drury Lane in Oakbrook), TRU (Chicago Musical Theatre Festival), Altar Boyz (Theo Ubique Cabaret Theater), HAIR (Mercury Theater Chicago), Head Over Heels (Kokandy Productions), The Producers (Paramount Theatre). Proud member of SAG-AFTRA. @marquitolay #representationmatters #peacocknation 

Nacido en el Sur de Florida, y transplantado a Chicago. Créditos de teatro regional: West Side Story (Teatro Marriott), Grease (Teatro Marriott), NEWSIES (Teatro Skylight Music), Gypsy (Teatro Porchlight Music), Hello Again (Teatro Cabaret Theo Ubique), Seussical (Drury Lane en Oakbrook), TRU (Festival de Teatro Musical de Chicago), Altar Boyz (Teatro Cabaret Theo Ubique), HAIR (Teatro Mercury de Chicago), Head Over Heels (Producciones Kokandy), The Producers (Teatro Paramount). Miembro orgulloso de SAG-AFTRA. @marquitolay #representationmatters #peacocknation 

Aaron is pleased to make his return to Seattle Rep after a long absence. Previously at Seattle Rep: Who’s Afraid of Virginia Woolf?, Photograph 51, Clybourne Park, and How to Write a New Book for the Bible. His other regional credits include M. Butterfly and How to Write a New Book for the Bible at South Coast Repertory; Oslo, Other Desert Cities, and Middletown at ACT Theatre; How to Write a New Book for the Bible at Berkeley Repertory Theatre; Sense and Sensibility at Book-It Repertory Theatre; The Lion in Winter at Shakespeare Santa Cruz; as well as productions with Seattle Shakespeare Company, A Noise Within, Idaho Repertory Theatre, and Southern Rep. His film credits include Outside In, We Need to Talk About Kevin, and We Go Way Back. On television, he has appeared in “CSI: Vegas” (CBS), "Z Nation” (Syfy), “Grimm” (NBC), "The Librarians” (TNT), "Leverage” (TNT), and recurred for three seasons as Erich Raeder in Amazon Studios’ Emmy Award-winning "The Man in the High Castle.” Aaron is a graduate of the University of Washington Professional Actor Training Program and holds an M.F.A. in acting.

Aaron está feliz de regresar al Seattle Rep después de una larga ausencia. Previamente en el Seattle Rep: Who’s Afraid of Virginia Woolf?, Photograph 51, Clybourne Park, y How to Write a New Book for the Bible. Sus otros créditos regionales incluyen M. Butterfly y How to Write a New Book for the Bible en el Repertorio South Coast; Oslo, Other Desert Cities, y Middletown en el Teatro ACT; How to Write a New Book for the Bible en el Repertorio del Teatro Berkeley; Sense and Sensibility en el Teatro Repertorio Book-It; The Lion in Winter en Shakespeare Santa Cruz; y producciones con la Compañía de Shakespeare de Seattle, A Noise Within, Repertorio del Teatro de Idaho, y Southern Rep. Sus créditos de película incluyen Outside In, We Need to Talk About Kevin, y We Go Way Back. En la televisión, él ha aparecido en “CSI: Vegas” (CBS), “Z Nation” (Syfy), “Grimm” (NBC), “The Librarians” (TNT), “Leverage” (TNT), y recurrentemente por tres temporadas como Erich Raeder en el programa ganador del premio Emmy de Estudios Amazon, “The Man in the High Castle.” Aaron se graduó del Programa de Entrenamiento Profesional para Actores de la Universidad de Washington y tiene una Maestría de Bellas Artes en Actuación. 

Michael is a Seattle-born, London-based actor and a graduate of UW's School of Drama (B.A. ’17) and the London Academy of Music and Dramatic Arts (M.A. ’21). At LAMDA, he was the proud recipient of the John Wood Fulbright Scholarship. He is delighted to return for his third production with Seattle Rep. Select credits include Teenage Dick and The Odyssey (Seattle Rep), Twelfth Night (Seattle Shakespeare Company), and Skylight (ACT). @mmonicatti, michaelmonicatti.com

Michael es un actor nacido en Seattle y basado en Londres, y es un graduado de la Escuela de Drama de UW (B.A. ’17) y de la Academia de Música y Artes Dramáticos de Londres (LAMDA) (M.A. ’21). En LAMDA, el orgullosamente recibió la Beca de Fulbright John Wood. Él está encantado de regresar para su tercera producción con el Seattle Rep. Créditos selectos incluyen Teenage Dick y The Odyssey (Seattle Rep), Twelfth Night (Compañía de Shakespeare de Seattle), y Skylight (ACT). @mmonicatti, michaelmonicatti.com 

Leslie (she/her) is currently enrolled at The Theatre School at DePaul University pursuing a B.F.A. in Acting, class of 2023. TV credits include “Chicago PD,” Visa TV commercial. Print: Wrigley Co. Theater credits include I Am Not Your Perfect Mexican Daughter at Steppenwolf Theatre, Project Potential at Theatre on the Lake, and Assumptions and Forgiveness at American Blues Theatre. @_leslie.sophia

Leslie (she/her/ella) actualmente está inscrita en La Escuela de Teatro de la Universidad DePaul, persiguiendo su Licenciatura en Bellas Artes en Actuación, clase de 2023. Créditos de TV incluyen “Chicago PD,” comercial de Visa TV. Impresora: Wrigley Co. Créditos de teatro incluyen Yo No Soy Tu Perfecta Hija Mexicana en el Teatro Steppenwolf, Project Potential en el Teatro en el Lago, y Assumptions and Forgiveness en el Teatro American Blues. @_leslie.sophia 

Jesse Calixto (he/him) is an actor and musician who graduated with a B.F.A. in Theatre Performance from the University of Idaho. He spent the summer of 2022 performing Love's Labour's Lost, Titus Andronicus, and Cyrano De Bergerac in rep at The Island Shakespeare Festival on Whidbey Island. Other local credits include Mystery of Irma Vep (Intiman Theatre); Zen and the Art of the Android Beatdown (Book-It Repertory Theatre); A Midsummer Night's Dream (Greenstage); Romeo y Julieta, Twelfth Night, and Romeo & Juliet (Seattle Shakespeare Company’s Educational Tour). He was also a member of the cast of DEERS (Annex Theatre), which won the People’s Choice Gregory Award for Best Ensemble, 2017.

Jesse Calixto (he/him/el) es un actor y músico que se graduó con Licenciatura en Bellas Artes en Performance de Teatro de la Universidad de Idaho. El pasó su verano del 2022 actuando en Love’s Labour’s Lost, Titus Andronicus, y Cyrano De Bergerac en repertorio en el Festival de Shakespeare de La Isla en la Isla Whidbey. Otros créditos locales incluyen Mystery of Irma Vep (Teatro Intiman); Zen and the Art of the Android Beatdown (Teatro Repertorio Book-It); A Midsummer Night’s Dream (Greenstage); Romeo y Julieta, Twelfth Night, y Romeo & Juliet (Gira Educacional de la Compañía de Shakespeare de Seattle). El también fue un miembro del elenco de DEERS (Teatro Annex), que ganó el Premio Gregory Elección del Público por Mejor Elenco, 2017. 

Franco (they/them) works as an actor, director, playwright, dancer, bilingual text coach, and teaching artist. Companies include Oregon Shakespeare Festival, The 5th Avenue Theatre, Village Theatre, Seattle Shakespeare Company, Seattle Public Theater, Book-It Repertory Theatre, upstart crow collective, On the Boards, Horse in Motion, Umbrella Project, Burien Actors’ Theatre, Annex Theater, and Actor Shakespeare Project. Additionally, they are Sunshine Chairman and a Resident Actor at Washington Ensemble Theatre. @sugrpapifranco

Franco (they/them/elle) trabaja como actor, director, dramaturgo, bailarín, entrenador de texto bilingüe, y artista docente. Compañías incluyen el Festival de Shakespeare de Oregon, El Teatro 5th Avenue, Teatro Village, Compañía de Shakespeare de Seattle, Teatro Público de Seattle, Teatro Repertorio Book-It, collectiva upstart crow, On the Boards, Horse in Motion, Umbrella Project, Teatro de Actores de Burien, Teatro Annex, y Actors' Shakespeare Project. Adicionalmente, elle es el Director Rayo de Sol y Actor Residente en el Teatro del Washington Ensemble. @sugrpapifranco 

Drew Highlands is stoked to return to Seattle Rep, previously appearing in Luna Gale! Past credits include The Nance and Death of a Salesman (ArtsWest), Tin Cat Shoes (WET), Balconies and Chaos Theory (Annex), Miracle! (Intiman), and numerous film and TV appearances. Drew is the writer and director of In the Water, a short film playing at festivals across the country including SIFF, Florida Film Festival, and HollyShorts. Drew is also the co-creator of the comedic web series “The Last Video Store on Earth.” Currently, Drew is in post-production for a documentary short he co-directed that will be part of the “Vanishing Seattle” second season in 2023. Thanks to my amazing family, Andres/McNamara squad, and the world’s best fiancée, Hattie! @drew_highlands

Drew Highlands está emocionadísimo de regresar al Seattle Rep, apareciendo previamente en Luna Gale! Créditos pasados incluyen The Nance y Death of a Salesman (ArtsWest), Tin Cat Shoes (WET), Balconies and Chaos Theory (Annex), Miracle! (Intiman), y varias apariciones en películas y televisión. Drew es el escritor y director de In the Water, una película corta siendo mostrada en festivales alrededor del país, incluyendo SIFF, Festival de Película de Florida, y HollyShorts. Drew también es el co-creador de la serie cómica de web, “The Last Video Store on Earth.” Actualmente, Drew está en postproducción para un documental corto que él co-dirigió y que será parte de la segunda temporada de  “Vanishing Seattle” en 2023. Gracias a mi increíble familia, la pandilla Andres/McNamara, y la mejor prometida del mundo, Hattie! @drew_highlands 

Pilar (they/them) is a Latinx multidisciplinary theater practitioner from Santa Fe, New Mexico. They graduated from Cornish College of the Arts. In Seattle they have performed with Strawberry Theatre Workshop, Seattle Rep, Seattle Shakespeare Company, Wooden O, The Icicle Creek New Play Festival, ActLAB, Ese Teatro, Washington Ensemble Theatre, Seattle Public Theater, Annex Theatre, and many others. Pilar was the 2018 Recipient of the People’s Choice Gregory Award for Outstanding Actor in a Play for their performance as Detective Morris in The Nether at Washington Ensemble Theatre. Pilar is deeply grateful to be back at Seattle Rep. Viva la causa, viva la raza, y viva la unidad!

Pilar (they/them/elle) es une practicante Latinx multidisciplinario de teatro de Santa Fe, Nuevo México. Elle se graduó del Colegio de Artes Cornish. En Seattle elle ha actuado con el Taller de Teatro Strawberry, Seattle Rep, la Compañía de Shakespeare de Seattle, Wooden O, El Festival de Nuevas Obras de Icicle Creek, ActLAB, Ese Teatro, Teatro del Washington Ensemble, Teatro Público de Seattle, Teatro Annex, y muchos otros. Pilar fue le recipiente del Premio Gregory Elección del Público para Actor Excepcional en una Obra en 2018, por su actuación como Detective Morris en The Nether en el Teatro del Washington Ensemble. Pilar está profundamente agradecide de estar de regreso en el Seattle Rep. ¡Viva la causa, viva la raza, y viva la unidad! 

Jason Treviño (they/them) was born in Houston, Texas. They are a dog owner, lover of the outdoors, Gemini/Cancer Cusp, 8w7, and have a fondness for bringing people together. Jason moved to Seattle to complete an internship at Seattle Rep in 2017. Taken by the PNW’s lush land and people, Jason decided to stay in the area by joining the University of Washington’s Professional Actor Training Program. They are thrilled and grateful to be returning to work with Seattle Rep almost five years after being an intern here. Jason is a proud graduate of the Foster Care system and would like to thank their friends, family, and partner for their support and collaboration in the pursuit of a career in the arts. @jasonlyntrevino

Jason Treviño (they/them/elle) nació en Houston, Texas. Elle es un dueñe de perro, amante del aire libre, Geminis/Cúspide de Cáncer, 8w7, y tiene una afición de juntar a la gente. Jason se mudo a Seattle para completar una pasantía en el Seattle Rep en 2017. Impresionade por el paisaje exuberante y la gente del Noroeste Pacifico, Jason decidió quedarse en el área uniéndose al Programa de Entrenamiento Profesional para Actores de la Universidad de Washington. Elle está emocionade y agradecide de regresar a trabajar con el Seattle Rep casi cinco años después de ser pasante aquí. Jason es une graduade orgullose del sistema de acogida y le gustaría agradecer a sus amigos, familia, y pareja por su apoyo y colaboración en la búsqueda de una carrera en las artes.  

Victor Vazquez, CSA (he/him) is the founder and lead Casting Director of X Casting (xcastingnyc.com). He has cast projects for Broadway (upcoming: Soul Train), Off-Broadway, London’s West End, TV (upcoming: “Genius: MLK/X” for 20th, National Geographic, Disney+), and Film. He is the proud son of Mexican immigrants.

Victor Vazquez, CSA (he/him) es el fundador y el Director principal de Casting para X Casting (xcastingnyc.com). El ha hecho el casting para proyectos en Broadway (próximamente: Soul Train), Off-Broadway, el West End de Londres, Televisión (próximamente: “Genius: MLK/X” para 20th, National Geographic, Disney+), y Película. Él es el orgulloso hijo de inmigrantes Mexicanos.