This is Mary Elizabeth’s first appearance at Seattle Rep and she welcomes the opportunity to be back "up on her feet," as it were. Her theater credits include Human Comedy, The Knife, Henry V, Measure for Measure, and Twelfth Night, all at Joe Papp’s Public Theater. Broadway credits: West Side Story, The Marriage of Figaro, Amadeus, Man of La Mancha, Winslow Boy. In London’s West End: Grand Hotel, View from the Bridge. Film: Scarface, Color of Money, Class Action, Robinhood: Prince of Thieves, Abyss, Perfect Storm, Limbo. Television: "Uncle Vanya," "Law and Order: CI," "Grimm," "Blindspot."

Albert Rubio III is a Seattle-based actor, teaching artist, and in charge of recruitment for the Departments of Theater & Performance Production at Cornish College of the Arts. Favorite roles include Fred (A Christmas Carol - American Conservatory Theater, SF), Orgon (Tartuffe - Summer Repertory Theatre), Ricardo (Jaded - web-series), Ross (Macbeth - GRSF Apprentice Company). His current passion project is an in-process anthology titled Stories From My Youth. Originally conceived as a solo show following the life of Ken Martinez, the future of the Stories From My Youth anthology will be to chronicle the lives of LGBTQ+ individuals and allies affected by the AIDS Epidemic. Albert plans to work with living survivors and chronicle their stories, eventually distilling them into 30-minute solo pieces. Oswald in Ghosts marks Albert's Seattle acting debut, as well as his first role with Seattle Rep. Albert is a proud graduate of the American Conservatory Theater M.F.A. Actor Training Program, and the University of Evansville where he received his B.F.A. in Theatre: Performance.

Theater credits include: Remember This: The Lesson of Jan Karski, an ongoing 7-year collaboration with the Laboratory for Global Performance and Politics, with performances in Poland, London, The Shakespeare Theater in DC., and The Chicago Shakespeare Theater; The Tempest, Scorched, and Underneath the Lintel (American Conservatory Theater, SF); Salome, The Heiress, and Dance of Death on Broadway in NY; Hapgood, Lincoln Center, NY; Nathan the Wise, People’s Light, PA; and The Birthday Party at CSC in NY. Film and TV credits include Good Night and Good Luck, Lincoln, several films of John Sayles, one of the Bourne movies, Temple Grandin, League of Their Own, The River Wild, Nomadland, and most recently Nightmare Alley. In 1984, he was in Herb Gardener’s I’m Not Rappaport, which had its world premiere here at Seattle Rep. He is thrilled to be back.

In fall of 2021 Thom (he/him) appeared in the New York premieres of Rajiv Joseph’s Letters of Suresh (Second Stage) and A Sherlock Carol by Mark Shanahan (New World Stages). Other credits include Man of La Mancha, 2002 Broadway revival with Mary Elizabeth Mastrantonio; Twyla Tharp’s The Times They Are A-Changin’; Off-Broadway revivals of Sweeney Todd (Barrow Street Theatre), Pacific Overtures, …Arturo Ui (both at Classic Stage Company); and the premieres of Superhero by Tom Kitt and John Logan (Second Stage) and Michael Friedman’s Unknown Soldier, opening three days before the pandemic shutdown in March 2020. TV and film credits include “Instinct’” “Madam Secretary,” “Jessica Jones,” “Gotham,” “The Good Wife,” “Person of Interest,” and last year’s “Cupids.” thomsesma.com, @thsesma

Nikita Tewani is a New York-based actress and a graduate of NYU Tisch School of the Arts. She is excited to return to the Seattle Rep stage after playing Aziza in the critically acclaimed A Thousand Splendid Suns, a role she originated at the American Conservatory Theater and toured the country with. Nikita was most recently seen as the lead role in the feature film I’ll Meet You There, which premiered at SXSW Film Festival and had a global theatrical release. She can also be seen on "Law and Order: SVU" and "Hit and Run" (Netflix). Past theater credits include: The Fall (Soho Playhouse) and The Who and The What (Milwaukee Repertory Theater). Nikita has appeared in national commercials and worldwide print ads. @nikitatewani

Ms. Thone is happy to be back at Seattle Rep, having started her time in Seattle 30 years ago by interning at this great theater, playing Margaret in Much Ado About Nothing and the Middle Nun in House of Blue Leaves. Since then, Amy has enjoyed acting in more than 55 productions at most of the Seattle theaters. Favorites roles and plays include King John, Titus Andronicus (upstart crow collective); Ebeneezer Scrooge, the Nurse (ACT); Cleopatra, Lady M., Beatrice, Prospero, Shylock (Seattle Shakespeare Company); Nixon in Frost/Nixon, Stage Manager in Our Town (Strawberry Theatre Workshop); Festen, Holy Days, The Trial, The Adding Machine, My Name is Asher Lev (New Century Theatre Company). Amy was casting director for the Seattle Shakespeare Company for 25 years and has been on faculty for Cornish College of the Arts since 2000. She also teaches at the University of Washington and is thrilled to be learning from these wonderful actors. This work, like most everything else in her life, is dedicated to her two daughters, Charlotte and Stella.

Adam Fontana (he/him) is very happy to be making his Seattle Rep debut! Seattle theater: Lamplighter (The 5th Avenue Theatre), Bulrusher (Intiman), Howl’s Moving Castle (Book-It Repertory Theatre). New York theater: Civil War (Off-Broadway and Tour); Chance Wayne in Sweet Bird of Youth and Tulsa in Gypsy (Gallery Players); Henry in Next to Normal (Hangar Theatre). Colorado theater: Elf: The Musical (Arvada Center); A Midsummer Nights Dream, Mary Poppins, The Shape of Things, Dames at Sea, and Forever Plaid (Merely Players). Thanks to the Seattle Rep and Ghosts family for the opportunity to be here. Thanks to you for being here and being a part of live theater. And thanks to Mrs. F for, well, everything. adamfontana.com, @fontana_fotography

Previously at Seattle Rep, Bradford Farwell (he/him) has appeared in Indecent, King Charles III, Photograph 51, You Can’t Take It With You, The Imaginary Invalid, Twelfe Night, Noises Off, The Great Gatsby. Broadway: Much Ado About Nothing and The Miser. In Seattle: Intiman, The 5th Avenue Theatre, Strawberry Theatre Workshop, Seattle Children’s Theatre, Seattle Shakespeare Company. Mr. Farwell was a company member at the Stratford Festival in Ontario and Seattle’s New Century Theatre Company. Regionally: TAG, Nebraska Shakespeare, Chicago Shakespeare, American Conservatory Theater in San Francisco, Shakespeare Theatre D.C, Court Theatre, Madison Repertory, American Players Theatre. Television credits include “Grimm” and “Leverage.” He received his training at The Webber Douglas Academy of Dramatic Arts, London. He is a proud member of Actor’s Equity.

Sofía Raquel Sánchez (they/them/elle) is a Seattle and New York-based actor and playwright. Their Seattle work includes Copious Love’s I Think I Love You (playwright), Finding Trails Short Play Festival’s Mi Cielo (playwright), Washington Ensemble Theater’s Dance Nation (Amina), Copious Love’s Querida Familia: A Fundraiser for El Paso (producer), Seattle Shakespeare Company’s Romeo and Juliet (Romeo), Seattle Children’s Theatre’s Ghosted (Kayla), Seattle Public Theater’s Fire Season (Jessamyn), Strawberry Theatre Workshop’s Lydia (Ceci), and more. Sánchez has a B.F.A. in Original Works from Cornish College of the Arts. Sofía Raquel is currently developing a new bilingual horror musical with composer and fiancée, Rafael Molina, who they’d like to thank for their unending support. sofiaraquelsanchez.com

Originally from Albuquerque, New Mexico, Elliott earned his bachelor’s in Theatre from Northwestern University. While in Chicago, Elliott worked at the Goodman Theatre as Literary Assistant for a reading of Calamity West’s Engines and Instruments of Light well as the Script Supervisor for the premiere of korde arrington tuttle’s Graveyard Shift. Early in the pandemic, he co-produced a series of virtual readings and productions under the name Homesick Play Project, directing a reading of Catherine Weingarten’s The World is Ending and Maybe That's Kinda Hot. Elliott is now in post-production for his first short film, Chrysalis. He’s thrilled to be here in Seattle and at Seattle Rep in particular. Learn more at www.hartman.cool.

Isabella Marziello is thrilled to be working at the Seattle Rep as a Stage Management Apprentice, especially after two long years of uncertainty. She graduated from the University of Puget Sound in 2020 with a B.A. in Theater Arts, and double minors in Spanish and Music. Isabella’s stage management credits include UNEARTHED (dir. Jack Aldister), She Loves Me (dir. Dawn Padula), The Penelopiad (dir. Sara Freeman), In The Forest Grim (dir. Arlene Martínez Vazquez), Hedda Gabler (dir. Jack Aldister), Migrations: Forced and Chosen (Anthony Goméz), and Into The Woods (dir. Dawn Padula).