A fresh and relevant new translation of one of Henrik Ibsen’s most vivid and controversial masterpieces.
Join Artistic Director Braden Abraham as he leads an in-depth discussion with the artists, and experience first-hand exclusive excerpts from this highly-anticipated project, revealing how collaboration among a diverse group of theater artists uniquely expands the creative process.
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Meet the Artists
Carey Perloff is a director, writer, producer, and educator who recently completed an acclaimed 25-year tenure as Artistic Director of the American Conservatory Theater in San Francisco (1992-2018). The youngest person ever chosen to lead a LORT theater, Perloff inherited an earthquake-destroyed theater, a huge deficit, a struggling MFA program, and a need to completely re-imagine the future of A.C.T. In addition to rebuilding the Geary Theater, reanimating A.C.T.’s educational programs, and creating decades of vigorous, culturally diverse programming that has seen ACT’s audiences grow and its work presented around the country, Perloff oversaw the creation of A.C.T.’s second stage, The Strand, a multi-venue performance space that provides a home for new artists, new work, new audiences, and the many aspects of A.C.T.’s training programs. Her highly acclaimed book Beautiful Chaos: A Life in the Theater (City Lights Press, 2015) explores many of the ideas and issues that emerged during her tenure at A.C.T. and shares the journey of a woman in a leadership field often dominated by men. Beautiful Chaos was selected as the One City One Book “Big Read” by the San Francisco Public Library and was featured in programs and discussions across the Bay Area and around the country throughout 2016.
Perloff is also an award-winning playwright. Her most recent play, Bastiano or The Art of Rivalry, was written on a Writing Residency at the Bogliasco Foundation and has been workshopped at the Bay Area Playwrights Festival and Williamstown Theater Festival. Her play Kinship premiered at the Théâtre de Paris in October 2014 in a production starring Isabelle Adjani and Niels Schneider, and was produced at the Williamstown Theater Festival in 2015, starring Cynthia Nixon and directed by Jo Bonney. The Fit (workshopped at New York Stage and Film, WTF, and Kansas City Rep) premiered at San Francisco Playhouse in May 2019. Higher was developed at New York Stage and Film, won the 2011 Blanche and Irving Laurie Foundation Theatre Visions Fund Award, was developed at the La Jolla Playhouse’s DNA series, and received its world premiere in February 2012 in San Francisco. Waiting for the Flood was developed at A.C.T., New York Stage and Film, and Roundabout Theatre. Luminescence Dating, which won the Bay Area Theater Critics’ Best Original Script in 2007, premiered in New York at The Ensemble Studio Theatre, was coproduced by A.C.T. and Magic Theatre, and is published by Dramatists Play Service. The Colossus of Rhodes was workshopped at the O’Neill National Playwrights Conference, premiered at Lucille Lortel’s White Barn Theatre, and was produced at A.C.T. in 2003.
A longtime collaborator of Tom Stoppard’s, Perloff staged the New York premiere of Indian Ink at Roundabout Theatre Company (nominated for a Lucille Lortel Award for Best Revival) before bringing the show to A.C.T. She has collaborated with Stoppard on the West Coast premiere of The Hard Problem and the American premieres of Indian Ink and The Invention of Love, as well as Arcadia (twice), Rock 'n Roll, Travesties, The Real Thing, and Night and Day. Perloff is also a notable interpreter of Harold Pinter’s work; productions include The Birthday Party (with Judith Ivey), The Homecoming, Old Times, Celebration, and The Room (American Premiere), Mountain Language (American Premiere, CSC), and The Collection (Center Theater Group). Perloff’s dance background has led to several movement-theater collaborations including Tosca Café (created with choreographer Val Caniparoli, A.C.T. and Canadian tour) and Fatherville (created with Basil Twist, Stephen Buescher, and Darron L. West) for The Strand.
Perloff’s most recent directorial triumph has been A Thousand Splendid Suns, a world premiere commissioned by Perloff, co-produced with Theater Calgary, and adapted by Ursula Rami Sarna from the best-selling novel by Khaled Hosseini. Suns has played to sold-out houses at A.C.T., The Old Globe, Seattle Rep, the Arts Club Vancouver, the Grand Theater (London, Ontario), and Arena Stage, and will play Toronto’s Canadian Stage in 2021. Most recently, Perloff directed the Ghosts at Williamstown with Uma Thurman, Private Lives at the Stratford Festival (starring Geraint Wynn-Davies and Lucy Peacock), Merchant of Venice at the Shakespeare Company, Calgary (starring Seana McKenna as Shylock), Pale Sister by Colm Toibin at the Gate Theatre, Dublin, the West Coast premiere of 2018 Pulitzer Prize-winner Martyna Majok’s Queens at La Jolla Playhouse. Recent A.C.T. productions also include Hamlet (with John Douglas Thompson), Testament (with Seana Mackenna), Underneath the Lintel (with David Strathairn), Elektra (co-produced by the Getty Villa in Malibu), Beckett’s Endgame and Play (with Bill Irwin), Scorched, Racine’s Phedre, and Ibsen’s John Gabriel Borkman at the Stratford Festival. Known for directing innovative productions of classics and championing new writing for the theater, Perloff has also directed for A.C.T. José Rivera’s Boleros for the Disenchanted; the world premieres of Philip Kan Gotanda’s After the War (A.C.T. commission), David Lang/Mac Wellman’s opera The Difficulty of Crossing a Field (with Julia Migenes); her own adaptation (with Paul Walsh) of A Christmas Carol; A.C.T.-commissioned translations/ adaptations of Hecuba, The Misanthrope, Enrico IV, Mary Stuart, Uncle Vanya, A Mother, and The Voysey Inheritance (adapted by David Mamet); the world premiere of Leslie Ayvazian’s Singer's Boy; and major revivals of 'Tis Pity She's a Whore, The Government Inspector, Happy End (including a critically lauded cast album recording), A Doll's House, Waiting for Godot, The Three Sisters, The Threepenny Opera, The Rose Tattoo, Antigone, Creditors, Home, and The Tempest. Perloff’s work for A.C.T. also includes Marie Ndiaye’s Hilda, the world premieres of Marc Blitzstein’s No for an Answer, and the West Coast premiere of her own play The Colossus of Rhodes (Susan Smith Blackburn Award finalist).
Before joining A.C.T., Perloff was artistic director of Classic Stage Company in New York, where she directed the world premiere of Ezra Pound’s Elektra, the American premiere of Pinter’s Mountain Language, the American premiere of Tony Harrison’s Phaedra Brittanica, and many classic works. Under Perloff’s leadership, CSC won numerous OBIE Awards, including the 1988 OBIE for Artistic Excellence. In 1993, she directed the world premiere of Steve Reich and Beryl Korot’s opera The Cave at the Vienna Festival and Brooklyn Academy of Music.
Perloff has collaborated with some of the finest actors in America including Olympia Dukakis, John Douglas Thompson, BD Wong, David Strathairn, Uma Thurman, Anika Noni Rose, Peter Reigert, Joe Morton, Wendell Pierce, Seana Mackenna, Marco Barricelli, Firdous Bamji, Judith Ivey, Art Malik, Bill Irwin, and many more. She has developed relationships with great international artists such as Robert Wilson, Peter Brook, Robert Lepage, Kim Collier, and Morris Panych, introducing Bay Area artists to imaginative and experimental work from around the world.
A recipient of France’s Chevalier de l’Ordre des Arts et des Lettres and the National Corporate Theatre Fund’s 2007 Artistic Achievement Award, Perloff received a B.A. Phi Beta Kappa in Classics and Comparative Literature from Stanford University and was a Fulbright Fellow at St. Anne’s College, Oxford. She received an Honorary Doctorate from University of San Francisco in 2017 and an Honorary MFA from A.C.T. in 2018. She was on the faculty of the Tisch School of the Arts at New York University for seven years, and taught and directed in the A.C.T. Master of Fine Arts Program for twenty-five years. Perloff is on the board of the Hermitage Artist Retreat in Sarasota, Florida and lectures on arts and culture around the country, including at the Aspen Ideas Festival and at TedX San Francisco. She is married to attorney Anthony Giles and has two children, Alexandra and Nicholas (aka Wingtip).
Paul Walsh (translator) is Professor in the Practice of Dramaturgy and Dramatic Criticism at the Yale School of Drama. This is his sixth Ibsen translation to be produced professionally and his third directed by Carey Perloff. Her served for nine years as dramaturg at the American Conservatory Theater in San Francisco. Before that he worked with Theatre de la Jeune Lune in Minneapolis, where he collaborated on such award-winning productions as Children of Paradise: Shooting a Dream, Don Juan Giovanni, Germinal, and The Hunchback of Notre Dame. He received a Ph.D. from the Graduate Centre for the Study of Drama at the University of Toronto.
Photo by Joan Marcus.
Mary Elizabeth Mastrantonio
Mary Elizabeth Mastrantonio first came to attention for her role opposite Al Pacino in Brian DePalma's Scarface and followed with her Oscar nominated performance in Martin Scorsese's The Color of Money. She is also well known for her roles in films such as The Abyss, Robin Hood: Prince of Thieves, and The Perfect Storm.
Her select television credits include Netflix's The Punisher, NBC's "Law & Order: Criminal Intent," NBC's "Grimm," CBS's "Limitless," and NBC's "Blindspot."
Mastrantonio has starred on Broadway in West Side Story, Amadeus, Copperfield, The Human Comedy, The Marriage of Figaro, and the revival of Man of La Mancha opposite Brian Stokes Mitchell, for which she received a Tony Award nomination. She was last seen on Broadway in the revival of The Winslow Boy opposite Roger Rees. For the New York Shakespeare Festival, she has starred in productions of Henry V, Measure for Measure, and Twelfth Night, earning multiple Drama Desk Award nominations for her off-Broadway work. She also starred on stage in London in Grand Hotel at the Donmar Warehouse and in A View from the Bridge at the Duke of York's Theatre.
She resides in New York.
David Strathairn has appeared in The Birthday Party and Mountain Language at the Classic Stage Company in New York; The Tempest, Scorched, Underneath the Lintel, and Chester Bailey at A.C.T. in San Francisco; Salome, The Dance of Death, and The Heiress on Broadway; Hapgood at Lincoln Center; and Conversations at Tusculum at The Public Theater in New York. His film and tv credits include Good Night and Good Luck, Matewan, Eight Men Out, The Sensation of Sight, Lincoln, We Are Marshall, Dolores Claiborne, Limbo, and Nomadland.
Thom Sesma has numerous Broadway, Off-Broadway, TV and film appearances to his credit. His most recent live theater performance was in Michael Friedman’s Unknown Soldier which opened on March 9, 2020 off-Broadway at Playwrights Horizons. Three days later, live theater was suspended in the fight against COVID-19. Since then he’s accumulated many remote live-stream digital credits in plays, musicals, concerts, and works in development as well as teaching a popular course in “Acting on Zoom.” He also appeared in a previous iteration of Paul Walsh’s translation of Ghosts at Williamstown Theatre Festival in 2019. For more details and credits please visit thomsesma.com and on Instagram @thsesma.
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We wish to express our gratitude to the Performers’ Unions:
ACTORS’ EQUITY ASSOCIATION
AMERICAN GUILD OF MUSICAL ARTISTS
AMERICAN GUILD OF VARIETY ARTISTS
through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear on this program.
Bank of America
Perkins Coie LLP
HD Fowler Company