Previously at Seattle Rep: King Charles III, Photograph 51, You Can’t Take it With You, The Imaginary Invalid, Twelfe Night, Noises Off, The Great Gatsby. In Seattle: Intiman, The 5th Avenue, Strawberry Theatre Workshop, Seattle Children’s Theatre, Seattle Shakespeare, Village Theatre. Broadway credits: Much Ado About Nothing and The Miser. Mr. Farwell was a company member at the Stratford Festival and NCTC. Regionally: TAG, Nebraska Shakespeare, Chicago Shakespeare, ACT San Francisco, Shakespeare Theatre D.C, Court Theatre, Madison repertory, American Players Theatre. Television credits include “Grimm” and “Leverage.” He received his training at The Webber Douglas Academy of Dramatic Arts, London.

Julie is the Co-Founder of The Seagull Project, appearing as Arkadina in The Seagull, Olga in The Three Sisters, and Ranevskaya in The Cherry Orchard. Other Seattle credits include Sugar in Tiny Beautiful Things, As You Like It, The Beard of Avon, Over the Moon, The Imaginary Invalid, and The Servant of Two Masters (Seattle Rep); Dirty Blonde, Enchanted April, The Lady With all the Answers, The Women, The Pinter Festival, (ACT Theatre); The Three Penny Opera, Timon of Athens, She Stoops to Conquer (Seattle Shakespeare Company); The Wizard of Oz, Chitty Chitty Bang Bang (Seattle Children's Theatre). National credits include Yale Repertory Theatre, Berkeley Repertory Theatre, Trinity Repertory Company, Milwaukee Repertory Theater, The Minneapolis Playwrights’ Center, The Old Globe, and seven seasons as a member of the Guthrie Theater acting ensemble. Julie is a proud recipient of the Lunt-Fontanne Fellowship.

Ron Orbach last appeared in Seattle in 1996 at ACT, starring as Max Prince (based on Sid Caesar) in Neil Simon’s Laughter on the 23^rd Floor (the final show at the Queen Anne location, and one of its biggest hits); a production he also directed, after debuting in it on Broadway in 1993 as Ira Stone (based on Mel Brooks). Four additional Broadway appearances, including as Amos Hart (Mister Cellophane) in Chicago (First National Tour/Jeff Award, 1998). Regional: The Goodman, Chicago Shakespeare Theater, The Alley, McCarter Theater, The Denver Center, La Jolla Playhouse, Portland Stage (ME), and The Old Globe. Most memorable screen appearance: The Driving Instructor in Clueless. Numerous TV appearances including “Law & Order,” “Platypus Man,” and “Girls”. Ron is also an acting coach and a director (LA’s Ovation Award, Best Director for The Ellis Jump, 1996).

Cheyenne has previously appeared at Seattle Rep in Pride and Prejudice, Sherlock Holmes and the American Problem, The Comparables, Boeing Boeing, This, Dancing at Lughnasa, Betrayal, The Three Musketeers, Twelfth Night, and The Great Gatsby. At Seattle’s The 5th Avenue: Annie. ACT:  Ramayana, Celebration and Old Times. Broadway: understudy in The Glass Menagerie starring Sarah Paulson. Regional: Long Wharf, Colorado Shakespeare Festival, and the Guthrie Theater, where she appeared in The Great Gatsby, Pride and Prejudice, Othello (national tour), Twelfth Night, and A Midsummer Night’s Dream (regional tour). T.V. and film: “John Adams,” “Two and a Half Men,” Use as Directed, The Bath, and Seattle’s web series “Rocketmen.” 

A recent transplant from London,UK, Nathaniel is beyond thrilled to be making his Seattle Rep debut and also unbelievably honored to be telling this story. Regional Credits include The 5th Avenue Theatre: Annie (Mr. Bundles); Village Theatre: Dreamgirls (James Thunder Early); String (O’Brien); ACT/5TH: UrineTown (Mr. McQueen/Tiny Tom.) Instagram/Twitter: @TENENBAVM  !אני אוהב אותך אמא

Andi Alhadeff is profoundly honored to be in this production. As a Jewish woman, she is so grateful for this opportunity to deepen her connection to her heritage, spirituality, and sense of self; and as a human being, even more moved to be able to share the vitality of silenced voices and the importance of everyone’s story being told. Off-Off/Off-Broadway- Prospect Theater Company: Jasper In Deadland (Persephone). The Caveat: 3 Andy Warhols (Warhol 2). Regional: The 5th Avenue Theatre: Ragtime (Emma Goldman), Grease (ChaCha), Jasper in Deadland (Persephone), RENT (Joanne), Oliver!, and The Sound of Music. ACT Theatre: Bad Apples (Debbie) Urinetown (Soupy Sue). The Village Theater: Writing Kevin Taylor (Julia), Afterwords (Kali). So much love and gratitude to friends and family.

Antoine Yared, who was born in Lebanon and raised in Montreal, has performed in theaters across the Canadian provinces of Ontario, Quebec, and the Maritimes. He is thrilled to be returning to Seattle having appeared at Seattle Rep last fall in A Thousand Splendid Suns. He most recently appeared in The Last Wife (Centaur Theatre) and A Christmas Carol (Soulpepper). His other recent theater credits include Lear (Groundling Theatre), Romeo and Juliet, The Madwoman of Chaillot, John Gabriel Borkman, Macbeth, As You Like It, The Physicists, King John, The Alchemist, Antony and Cleopatra, Mother Courage and Her Children, The Merchant of Venice, and Pericles, Prince of Tyre (Stratford Festival); and The Snow Queen (Theatre New Brunswick).

Alexander Sovronsky is thrilled to be returning to Indecent after composing a new score and performing in productions of the play at Arena Stage, KC Rep, and at Baltimore Center Stage. Alexander works frequently as both a composer and actor/musician. Credits include: Broadway: Cyrano de Bergerac (starring Kevin Kline). Off-Broadway: Mother Of The Maid, Romeo & Juliet, Measure For Measure (The Public); Bottom Of The World (Atlantic); Volpone, Women Beware Women (Red Bull); Othello (TFANA); Macbeth, Marat/Sade, Romeo & Juliet, King Lear, Emancipation, Three Sisters (Classical Theater of Harlem); The Little Prince (Hang A Tale/The Pearl); Cyrano de Bergerac (Resonance Ensemble); Hamlet (title role, Teatro Circulo in NYC & Teatro Franco Parenti in Milan, Itay). Regional: Walnut Street, Shakespeare & Co, Barrington Stage, Berkshire Theater Group, Shakespeare Theatre of NJ, WAM, American Shakespeare Center, PA Shakespeare Festival, and many more. www.AlexanderSovronsky.com and on Instagram @Alexander.Sovronsky

Kate Olson is a saxophonist, improviser, woodwind specialist, and music educator based in Seattle, WA. This is her first appearance with Seattle Rep. She can be heard performing with her own projects KO SOLO and KO ELECTRIC, and as a collaborator with Syrinx Effect, Ask the Ages, the Seattle Rock Orchestra, the Royal Room Collective Music Ensemble and Electric Circus (led by Wayne Horvitz), and with such Seattle staples as the Seattle Men's and Women's Choruses and cabaret producers Can Can Presents and Verlaine & McCann. Kate has a B.A. in Music (Jazz Emphasis) from the University of Wyoming and an M.M. in Improvisation from the University of Michigan.

Jamie is based in Seattle, WA where she studied accordion under three-time Latin Grammy Nominee Jovino Santos Neto at Cornish College of the Arts. Her current projects: Seattle’s only forró band - En Canto, and accordion duo with Gabe-Hall Rodrigues - Creosote. Jamie is a frequent guest performer and presenter of workshops on stylized Brazilian and Tango music at numerous festivals. Her array of projects and versatility has allowed her to be a full-time professional accordionist playing venues ranging from clubs with a Brazilian Jazz group to Benaroya Hall with the Seattle Symphony. Jamie works for accordion manufacturer Petosa Accordions where she is able to share her passion and actively participate in the reinvention and face of the traditional Instrument.