Harry Milas is Australia's leading sleight of hand artist and magician, based in Sydney. His signature close up show The Unfair Advantage won the award for Best Magic and garnered five-star reviews at The Adelaide Fringe, the largest arts festival in the southern hemisphere and has been in residence at the Sydney Harbour Bridge Pylon since the beginning of 2023. He regularly combines his work in magic and theatre as both a performer (Bondi Festival seance, Red-Line Productions Cascadia) and consultant having created the magic for Belvoir St. Theatre’s The Master & Margarita and Red Line Productions' Just! His TV appearances are extensive and include "The Today Show," Channel 10, ABC, and The Disney Channel.

He is a fixture in the Sydney improv scene, having won the coveted Cranston Cup twice (2015 and 2017) performing for 2,000 people at the Enmore Theatre and hosting and directing the 2019 show. With his long-form improv partner Rob Johnson he sold out seasons across Sydney’s independent theaters including The Old Fitz, Enmore Theatre, and The Factory Theatre.

He regularly appears for Australia’s biggest companies and at the most exclusive event spaces. He was commissioned by Google to create a bespoke magic show for their 2023 Christmas event, and regularly entertains for Wetpac, Volkswagen, Cartier, GE, UBER, Optus, Adobe, Merivale, Johnson & Johnson, and Qantas. He has performed all over Australia in prestigious venues such as Capella Sydney, Park Hayatt, QT, Crown Towers, The Four Seasons, The Shangri-La, and Pier One.

Pemberley Productions is a producing, general management, and tour booking company based in NYC/Chicago. We collaborate with overseas companies and U.S.-based productions to bring theater across North America as well as internationally. 

Highlights include the long-running West End production of The Woman in Black (Off-Broadway at NYC’s McKittrick Hotel and across the U.S., including at Seattle Rep); the U.S. Tour of Wise Children’s Wuthering Heights; the Center Theatre Group (Los Angeles) production of The Secret Garden; the U.S. Tour of the National Theatre’s An Inspector Calls; and the U.S. Tour of The Last Ship (starring Sting). In addition to The Unfair Advantage, Pemberley's current projects include the Baxter Theatre/Handspring Puppet production of Life & Times of Michael K (LA, Chicago, Boston), Tim Crouch’s An Oak Tree in the U.S. and Canada, Elizabeth McGovern’s Ava: The Secret Conversations, and the Soulpepper production of Kim's Convenience.

Pemberley was last at Seattle Rep with the Scottish musical Islander. For information on upcoming tours and projects in development, visit www.pemberleyproductions.com

Originally from Sydney, Australia, Lauren has worked as a Producer and Festival Programmer in the U.K., across Australia, and around the world.

In 2021 she founded her own producing company and with her team has produced Spiegeltent Wollongong for Merrigong Theatre Company, House of Oz at the Edinburgh Festival Fringe, consulted for Theatre Network Australia and the National Institute of Circus Arts, and has a slate of independent work in development and production including two of Australia's cultural institutions, Circus Oz and Legs On The Wall.

Lauren has been International Development Manager for Circa Contemporary Circus where she forged new partnerships, developed new work and created the podcast Producing Heroes. Prior to this she worked as Festival Programmer and Producer for Underbelly, programming 600 shows a year into their festivals across the U.K. including Underbelly Festival Southbank and Underbelly Edinburgh at Edinburgh Fringe, as well as Christmas in Leicester Square for Westminister Council and Edinburgh's Christmas.

She has worked for Sydney Festival under three different Artistic Directors. Most recently as Associate Producer for Olivia Ansell's inaugural festival and before moving overseas she was Project Manager for Wesley Enoch's inaugural festival, programming Circus City featuring Legs on the Wall, Circus Oz, and Gravity & Other Myths, as well as an accompanying industry conference and talks program. Alongside this she was working on large scale outdoor events including Symphony Under the Stars with the Sydney Symphony Orchestra.

A graduate of the University of Sydney, she is concurrently studying the Executive Masters in Cultural Leadership through the Royal Academy of the Arts in London and Maastricht University in the Netherlands, and the Executive Masters of Business Administration in Cultural Leadership.