Kate Hamill’s work includes Ms. Holmes & Ms. Watson – Apt. 2B at Kansas City Rep/Portland Center Stage; Emma at Guthrie Theater/Denver Center; Dracula at Classic Stage Company/Actors Theatre of Louisville; Little Women at Primary Stages/Jungle Theater; Pride and Prejudice at Hudson Valley Shakespeare Festival/Primary Stages; and Mansfield Park at Northlight Theater. Sense and Sensibility had its world premiere Off-Broadway, produced by Bedlam. It was named one of the "Top Ten Plays of 2014" by both Ben Brantley of The New York Times and by The Huffington Post, which called it “the greatest stage adaptation of this novel in history.” It reopened in NYC in 2016 where it ran for 300 performances. She is published by DPS and TRW Plays.

El trabajo de Kate Hamill incluye Ms. Holmes & Ms. Watson – Apt. 2B en el Repertorio de Kansas City Rep/Portland Center Stage; Emma en el Teatro Guthrie/Centro Denver; Dracula en la Compañía Classic Stage/Teatro de Actores de Louisville; Little Women en Primary Stages/Teatro Jungle; Pride and Prejudice en el Festival de Shakespeare de Hudson Valley/Primary Stages; y Mansfield Park en Teatro Northlight. Sense and Sensibility tuvo su estreno mundial Off-Broadway, producida por Bedlam. Fue nombrada una de las “Diez Mejores Obras del 2014” por Ben Brantley del New York Times y por The Huffington Post, quien lo llamó, “la mejor adaptación de teatro de esta novela en la historia”. Volvió a abrir en NYC en 2016 donde tuvo 300 funciones. Es publicada por DPS y Obras TRW.

Marti recently directed Galileo's Daughter by Jessica Dickey at Remy Bumppo Theatre Company and the co-world premiere of Wife of a Salesman by Eleanor Burgess at Milwaukee Repertory Theater. Other productions include John Proctor is the Villain by Kimberly Belflower at Studio Theatre; Sense and Sensibility and Cymbeline at American Players Theatre; How to Defend Yourself by Liliana Padilla at Victory Gardens and Actors Theatre of Louisville; Cambodian Rock Band by Lauren Yee at Victory Gardens and City Theatre; and Witch by Jen Silverman at Geffen Playhouse and Writers Theatre. martilyons.com

Marti recientemente dirigió Galileo’s Daughter de Jessica Dickey en la Compañía de Teatro Remy Bumppo y Wife of a Salesman de Eleanor Burgess en el Teatro Repertorio de Milwaukee. Otras producciones incluyen John Proctor is the Villain de Kimberly Belflower en el Teatro Studio; Sense and Sensibility y Cymbeline en el Teatro American Players; How to Defend Yourself de Liliana Padilla en Victory Gardens y el Teatro de Actores de Louisville; Cambodian Rock Band de Lauren Yee en Victory Gardens y el Teatro City; y Witch de Jen Silverman en Geffen Playhouse y Teatro Writers. martilyons.com

Collette is thrilled to return to Seattle Rep where she designed Fannie: The Music and Life of Fannie Lou Hamer. Collette lives in Chicago and designs scenery locally, regionally, and internationally. Recent Chicago credits: Describe the Night (Steppenwolf); Gypsy (Marriott Theatre); The Magic Parlour (Dennis Watkins and Goodman Theatre); Roe, The Wolves (Goodman Theatre); and The Lehman Trilogy at Timeline Theatre, where Collette is an Artistic Associate. Collette is an Associate Professor of Scenic Design at University of Illinois at Chicago and thanks her family for their endless support.

Collette está emocionada de regresar al Seattle Rep donde diseñó Fannie: The Music and Life of Fannie Lou Hamer. Collette vive en Chicago y diseña escenarios localmente, regionalmente, e internacionalmente. Créditos recientes de Chicago: Describe the Night (Steppenwolf); Gypsy (Teatro Marriott); The Magic Parlour (Dennis Watkins y Teatro Goodman); Roe, The Wolves (Teatro Goodman); y The Lehman Trilogy en el Teatro Timeline, donde Collette en una Associada Artística. Collette es Profesora Asociada de Diseño Escénico en la Universidad de Illinois en Chicago y le da las gracias a su familia por su apoyo incondicional.

An-lin Dauber (she/her) is thrilled to be back at Seattle Rep where she previously designed Little Women, The Tempest, and Metamorphoses. Seattle credits include The Lehman Trilogy (ACT); The Sign in Sidney Brustein’s Window, Champagne + Sodomy, Amen Corner, Marisol, Blood Wedding (The Feast). Company member of The Feast. Upcoming: Stupidest Scariest Time (Swim Pony at 12th Ave Arts), El Mentiroso and His Cyclops (Arts on Site). Assistant Professor of Costume Design at the University of Washington. M.F.A. Yale School of Drama. anlindauber.com

Off-Broadway: 59E59, MCC Theater, The Flea, Red Bull Theater, AUDIBLE, The Public Theater, Playwrights Horizons, Atlantic Theater, Ars Nova, NAATCO, Waterwell, etc. Regional: Steppenwolf Theatre, Berkeley Rep, Guthrie Theater, Hudson Valley Shakespeare, Wilma Theater, Arizona Theater Company, Actor Theater of Louisville, Geva Theater, Long Warf, Alabama Shakespeare, etc. Awards: Obie Award in Design category for English and Wish You Were Here (2022), Knight of Illumination Award for Nina Simone: Four Women (2019). rezabehjat.com

Off-Broadway: 59E59, Teatro MCC, The Flea, Teatro Red Bull, AUDIBLE, El Teatro Publico, Playwrights Horizons, Teatro Atlantic, Ars Nova, NAATCO, Waterwell, etc. Regional: Teatro Steppenwolf, Repertorio de Berkeley, Teatro Guthrie, Shakespeare de Hudson Valley, Teatro Wilma, Compañía de Teatro de Arizona, Teatro de Actores de Louisville, Teatro Geva, Long Warf, Shakespeare de Alabama, etc. Premios: Premio Obie en la categoría de Diseño por English y Wish You Were Here (2022); Premio Caballero de Iluminación por Nina Simone: Four Women (2019). rezabehjat.com

Seattle Rep debut! Recent: Compositions for A Christmas Carol (Guthrie Theater), Our Daughters Like Pillars (Huntington Theatre Company), The Wanderers (Roundabout Theatre Company, The Old Globe), and The Railway Children (Northern Stage with Mark Hartman). West Coast collaborations: Mark Taper, Theatreworks Silicon Valley, A.C.T., and Geffen Playhouse. Recognition: Drama Desk, Connecticut Critics Circle, Henry Award, Bessie Award. Ms. Shaw is a Kansas native who lives in Brooklyn and is a graduate of Harvard and Yale School of Drama. Proud member of TSDCA and USA Local 829. janeshaw.com

¡Debut con el Seattle Rep! Recientemente: Composiciones para A Christmas Carol (Teatro Guthrie), Our Daughters Like Pillars (Compañía de Teatro Huntington), The Wanderers (Compañía de Teatro Roundabout, The Old Globe), y The Railway Children (Northern Stage con Mark Hartman). Colaboraciones de la Costa Oeste: Mark Taper, TheatreWorks Silicon Valley, A.C.T., y Geffen Playhouse. Reconocimientos: Drama Desk, Círculo de Críticos de Connecticut, Premio Henry, y el Premio Bessie. La Srta. Shaw nació en Kansas y vive en Brooklyn, y es una graduada de Harvard y de la Escuela de Drama de Yale. Miembro orgulloso de TSDCA y USA Local 829. janeshaw.com

Cy Paolantonio is filled with gratitude to be making her mainstage debut here after working on two seasons of Seattle Rep’s Public Works. Originally a native of D.C. who has toured and called NYC, LA, and now Seattle home, Cy treaded the boards/choreographed/directed at The Kennedy Center, Arena Stage, The Arad Fort in Bahrain, Carnival Cruise Lines, The 5th Avenue Theatre, Village Theatre, Flint Repertory Theatre, as well as appearances on BET, VH1, commercials, and music videos. She thanks the entire company and for those who make live arts possible!

Cy Paolantonio está llena de gratitud de estar haciendo su debut aquí en el escenario principal después de haber trabajado dos temporadas en las Obras Públicas del Seattle Rep. Originalmente una nativa de D.C. quién ha ido en tour y ha llamado a NYC, LA, y ahora Seattle su casa, Cy ha actuado/coreografiado/dirigido en el Centro Kennedy, Arena Stage, El Fuerte Arad en Bahrain, Líneas de Crucero Carnival, El Teatro 5ta Avenida, Teatro Village, Teatro Repertório de Flint, y ha hecho apariencias en BET, VH1, comerciales, y videos de música. ¡Ella le agradece a toda la compañía y a todos ellos quienes hacen las artes escénicas posibles!

Alyssa Kay (she/her) is an actor and fight/intimacy director born and raised in Seattle. Her choreography was previously seen at Seattle Rep in Selling Kabul, and she has also choreographed for Book-It Repertory Theatre, Village Theatre, Taproot Theatre Company, Wooden O, Tacoma Opera, and many others. She is the resident Fight/Intimacy Director for both Seattle University and Harlequin Productions. Alyssa is a founding member of PNW Theatrical Intimacy and an Advanced Actor Combatant with the Society of American Fight Directors. All the love to her beautiful family. alyssakay.net

Alyssa Kay (ella) es actriz y directora de pelea/intimidad nacida y criada en Seattle. Su coreografía ha aparecido previamente en el Seattle Rep en Selling Kabul, y también ha coreografiado para el Teatro Repertorio Book-It, Teatro Village, Compañía de Teatro Taproot, Wooden O, Ópera de Tacoma, y muchos otros. Ella es la directora residente de Pelea/Intimidad para la Universidad de Seattle y Producciones Harlequin. Alyssa es un miembro fundador de Intimidad Teatral del PNW y un Actor Combatiente Avanzado con la Sociedad de Directores de Pelea Americana. Todo el amor a su bella familia. alyssakay.net

Paul (he/him) is a dramaturg originally from Seattle. Prior to joining Seattle Rep, Paul worked at the Oregon Shakespeare Festival and Asolo Repertory Theatre. As a dramaturg, Paul has worked with Arena Stage, Hartford Stage, Ashland New Plays Festival, among other theaters. He was a founding producer of the UMass New Play Lab and served as a Fulbright Fellow at the University of the Western Cape in Cape Town, South Africa. Paul's writing has been published in Theatre Journal, on howlround.com, and by Penumbra Theatre Company. He holds an M.F.A. from the University of Massachusetts, Amherst.

Paul (el) es un dramaturgo originalmente de Seattle. Antes de unirse al Seattle Rep, Paul trabajó con el Festival de Shakespeare de Oregon y el Teatro Repertorio Asolo. Como dramaturgo, Paul ha trabajado con Arena Stage, Hartford Stage, y el Festival de Obras Nuevas de Ashland, entre otros teatros. Fue el productor fundador del Laboratorio New Play en la Universidad de Massachusetts y sirvió como Becario Fulbright en la Universidad del Cabo Oeste en la Ciudad del Cabo, Sudáfrica. Sus escritos han sido publicados en Theatre Journal, en howlround.com, y por la Compañía de Teatro Penumbra. Él tiene una Maestría en Bellas Artes de la Universidad de Massachusetts, Amherst.

Aaron is a performer, music director, composer/arranger, and educator originally from Compton, California. With a background in vocal performance, vocal health/technique, and music composition, Aaron has been blessed to worked with incredible musicians across Europe, Canada, and the United States in many different genres of music. Select music directing credits include Mamma Mia!, Little Shop of Horrors, and Songs for A New World (Village Theatre); Nina Simone: Four Women (Seattle Rep); and Hedwig and the Angry Inch (ArtsWest).

Aaron es un músico, director de música, compositor/arreglista, y educador originalmente de Compton, California. Con experiencia en interpretación vocal, salud/técnica vocal, y composición de música, Aaron ha sido bendecido con trabajar con músicos increíbles por toda Europa, Canadá, y los Estados Unidos en varios géneros de música. Créditos de dirección de música selectos incluyen Mamma Mia!, Little Shop of Horrors, y Songs for A New World (Teatro Village); Nina Simone: Four Women (Seattle Rep); y Hedwig and the Angry Inch (ArtsWest).

Daira Rodriguez is a director and dramaturg from the Chicagoland area with a passion for new works, devising, and working with young minds. Daira recently completed the Directing/Artistic Apprenticeship at Seattle Rep after graduating from Northwestern University with a degree in Theatre and Gender Studies. Recent projects include Elyse and Mae Play the Most Epic Game of Life Ever by Kandace Mack and the world premiere of The Bloody Bricks and Blows of American Dream High by Gabriela Coutinho Furtado. Daira is inspired most by the works of Isabel Allende and Gabriel García Márquez.

Daira Rodriguez Miranda es una directora y dramaturga del área de Chicago con una pasión por trabajos nuevos, idear y trabajar con mentes jóvenes. Daira recientemente completó su Aprendizaje en Dirección/Artístico en el Seattle Rep después de graduarse de la Universidad Northwestern con un título en Teatro y Estudios de Género. Proyectos recientes incluyen Elyse and Mae Play the Most Epic Game of Life Ever de Kandace Mack y el estreno mundial de The Bloody Bricks and Blows of American Dream High de Gabriela Coutinho Furtado. Daira se inspira en los trabajos de Isabel Allende y Gabriel García Márquez.

Jessica (she/her) is delighted to be back at Seattle Rep. Regional theater highlights include Lydia and the Troll, Bruce, Teenage Dick, Indecent, Tiny Beautiful Things, The Great Leap (Seattle Rep); The Secret Garden, Disney’s Aladdin, and A Christmas Story: The Musical (The 5th Avenue Theatre); The Miraculous Journey of Edward Tulane (Seattle Children’s Theatre); A Christmas Carol (ACT Theatre); Angels in America: Millennium Approaches and Perestroika (Intiman Theatre Festival); King Lear (Santa Cruz Shakespeare); Much Ado About Nothing, Henry V (Seattle Shakespeare Company).

Jessica (ella) está encantada de estar de regreso con el Seattle Rep. Trabajos de teatro regional incluyen Lydia and the Troll, Bruce, Teenage Dick, Indecent, Tiny Beautiful Things, The Great Leap (Seattle Rep); The Secret Garden, Disney’s Aladdin, y A Christmas Story: The Musical (El Teatro 5ta Avenida); The Miraculous Journey of Edward Tulane (Teatro Infantil de Seattle); A Christmas Carol (Teatro ACT); Angels in America: Millennium Approaches y Perestroika (Festival del Teatro Intiman); King Lear (Shakespeare de Santa Cruz); Much Ado About Nothing, y Henry V (Compañía de Shakespeare de Seattle).

Shay Trusty (they/them) is excited to be back at Seattle Rep, having last worked as Assistant Stage Manager on The Tempest. Other select stage management credits include How I Learned What I Learned; As You Like It; Tiny Beautiful Things; A Doll's House, Part 2; and In the Heights (Seattle Rep); Sense and Sensibility, Little Shop of Horrors, Mamma Mia!, and The Book Club Play (Village Theatre); Solaris (Book-It Repertory Theatre); The Dina Martina Christmas Show, A Christmas Carol, and Beware The Terror of Gaylord Manor (ACT Theatre). Much love to the fam and Ben.

Shay Trusty (el/elle) esta emocionade de regresar al Seattle Rep, últimamente trabajando como Asistente de Director de Escena en The Tempest. Otros creditos selectos de dirección de escena incluyen How I Learned What I Learned; As You Like It; Tiny Beautiful Things; A Doll’s House, Part 2; y In the Heights (Seattle Rep); Sense and Sensibility, Little Shop of Horrors, Mamma Mia!, y The Book Club Play (Teatro Village); Solaris (Teatro Repertorio Book-It Repertory); The Dina Martina Christmas Show, A Christmas Carol, y Beware the Terror of Gaylord Manor (Teatro ACT). Mucho amor a la familia y a Ben.