Jonathan Spector is a Tony Award-winning playwright based in Oakland, California, whose work has been produced on and off-Broadway, regionally, and internationally. Plays include Eureka Day (Tony, Drama Desk, Drama League, Dorian Awards), This Much I Know (Edgerton, Glickman, BATCC Awards), Birthright (New York Times Critic's Pick), Best Available, and Good. Better. Best. Bested. Jonathan was a writer/producer on the upcoming Netflix series The Retrievals, is an Associate Artist with The Civilians, and proudly serves on the Dramatist Guild Council. 

Matthew Leavitt is an acclaimed director, playwright, and librettist, as well as the co-artistic director of The 6th Act Theatre Company. Select directing credits include his Stage Raw Award-winning production of Outside Mullingar, Hamlet (winner of "Best Director of a Play" Stage Scene LA Award), Twelfth Night, and Taming of the Shrew. Playwriting credits include Sukkot (59E59, Off-Broadway) and The $5 Shakespeare Company (LA Times Critics Choice), as well as the librettos for two new operas at LA Opera, Orpheus and Wreck of the Miranda.

Select regional: The Rent Party, Laughs in Spanish, Sanctuary City (Seattle Rep); The Magician’s Daughter (Geva Theatre); JORDAN (Northern Stage). Off-Broadway: Gentleman Caller (Abingdon Theatre Company), The Tempest (Classic Stage Company), A Beautiful Day in November on the Banks of the Greatest of Great Lakes (WP Theatre, New Georges), Hasan Minhaj’s Homecoming King. Sara also creates immersive performances with her company Wolf 359, including Memory Room 302 and temping (seen at Lincoln Center, The Wild Project, and the Edinburgh Fringe Festival). saracwalsh.com 

Chelsea Cook is a freelance costume designer, educator, and business owner. Her work has been seen at Seattle Opera, Seattle Shakespeare Company, Kentucky Opera, Village Theatre, Tacoma Opera, George Street Playhouse, ArtsEmerson, and more. Select favorite designs include Ernest Shackleton Loves Me (Off-Broadway Alliance Award, Second Stage Theatre); O+E (Seattle Opera); She’s Come Undone (Gregory Award nomination), What We Talk About When We Talk About Love (Book-It Repertory Theatre); and Medea (Seattle Shakespeare Company). She has a B.A. from Cornish College of the Arts. Love to W&W.

Seattle Rep: Appropriate, Come From Away (2025), Laughs in Spanish, The Skin of Our Teeth, Fat Ham, Lydia and the Troll, I Am Not Your Perfect Mexican Daughter, Indecent, In the Heights, MAC BETH, I Am My Own Wife, Lizard Boy, and others. Regional: Theatre Under the Stars, Alliance Theatre, Portland Center Stage, ACT, The 5th Avenue Theatre, The Old Globe, Pittsburgh Public Theater, Denver Center, Intiman, Milwaukee Rep, and Village Theatre. Film: The Jinkx and Dela Holiday Special, Potato Dreams of America. Robert is the Lighting Director at Seattle Rep and a member of USA 829. robertjaguilar.com 
 

Evan Mosher is an audio engineer, sound and video designer, musician, and performer. His designs have frequently been produced at Seattle Public Theater, Seattle Shakespeare Company, ArtsWest, Union Arts Center, Village Theatre KIDSTAGE, On the Boards, in design residencies at Whitman College, and at Cafe Nordo where he was as a company member, AV Manager, and sound designer for nearly every show at their Pioneer Square venue (2015-2022). Evan is also a member of the art-pop band “Awesome,” with whom he’s made melodic noise and peculiar performance for over twenty years.

L.B. Morse (he/him) is a designer for the performing and cultural arts, and has designed lighting, scenery, and multimedia for over 25 productions at Seattle Rep. Favorite previous designs include Indecent (2019, scenic), Public Works’ As You Like It (2019, scenic/projections) and The Odyssey (2017, scenic/projections), Constellations (2016, scenic/lighting), Lizard Boy (2015, scenic/projections), and The Hound of the Baskervilles (2013, scenic/lighting/projections). He has designed for many organizations locally and nationally and is a proud member of United Scenic Artists, Local 829. 

Jeffrey K. Hanson (he/him) has been a proud member of the Seattle theater community and Actors’ Equity Association for 38 years. He has worked extensively as a stage manager at ACT/Union Arts Center and The 5th Avenue Theatre. He is thrilled to return to Seattle Rep where he previously stage managed Mary Jane, Laughs in Spanish, Metamorphoses (2024 and 2000), Selling Kabul, True West (1997), The Cider House Rules - Parts I & II, Private Eyes, and All in the Timing. Other Seattle credits include shows at Seattle Children’s Theatre and Intiman. 

Madelyn Salvucci (she/her) is a Seattle-based stage manager, technician, and educator, and former Seattle Rep stage management apprentice. Select credits: The Skin of Our Teeth, Blithe Spirit, Mother Russia (Seattle Rep); As You Like It, The Tempest, Cymbeline, Macbeth (Seattle Shakespeare Company/Wooden O); The Lion Tells His Tale, Black Nativity (Intiman). Madelyn has also worked as an educator and stage manager with Youth Theatre Northwest on their productions of Into the Woods, Charlie and the Chocolate Factory, and The 39 Steps.