Amy Herzog’s plays include Mary Jane (New York Drama Critics’ Circle Award), 4000 Miles (Pulitzer Prize Finalist, Obie Award for Best New American Play), After the Revolution (New York Times Outstanding Playwright Award) and Belleville (Drama Desk Award nominee). She received the Benjamin H. Danks Award from the American Academy of Arts and Letters. Amy teaches playwriting at the David Geffen School of Drama. 

Allison Narver is an award-winning stage director whose work has been seen at theaters across the country. Regional: Seattle Rep, ACT, Seattle Children’s Theatre, Intiman, The 5th Avenue Theatre, Book-It Repertory Theatre, New Century Theatre Company, Seattle Shakespeare Company, Portland Opera, Portland Center Stage, Oregon Shakespeare Festival, Yale Repertory Theatre, Studio Theatre, City Theatre Company (Pittsburgh), REDCAT. New York: The New Victory Theater, Ars Nova, The Public Theater, Cherry Lane Theatre, New Dramatists, Kirk Theatre, and WP Theater, among many others. 

Julia Hayes Welch (she/her) feels fortunate to be making her Seattle Rep debut with this team of remarkable storytellers. Welch’s designs have graced the stages of The 5th Avenue Theatre, ACT, Seattle Children’s Theatre, Village Theatre, Intiman, and many others listed at jhwelchdesigns.com. When not in the theater, she can be found wrangling her two young children or rock climbing. Much love to W, M & AJ. Childhood cancer and other serious childhood illnesses are devastating to our families and communities. Please donate blood and #fightlikejasper. This one is for Shelby.

Heidi Zamora is a costume designer whose work has been seen at Seattle Rep (Who’s Afraid of Virginia Woolf? and The Great Moment) as well as Seattle Opera (Orphee et Eurydice), Florida Grand Opera, ACT, Seattle Children’s Theatre, and Seattle Shakespeare Company. She was nominated for a 2025 Gregory Award for her costume design for CRAVE at Intiman. Heidi was a co-founder and co-artistic director of Washington Ensemble Theatre. She received an M.F.A. in Costume Design from the University of Washington and is currently an instructor at Cornish College of the Arts. 

Connie (she/her) is delighted to return to Seattle Rep, where her work was last seen in The Play That Goes Wrong and Blithe Spirit. Other recent local designs include Elf the Musical (The 5th Avenue Theatre), An Enemy of the People (Union Arts Center), Dial M for Murder (Village Theatre), and Tosca (Seattle Opera). Other recent designs include works for Madison Opera, Florentine Opera, Des Moines Metro Opera, New Orleans Opera, Opera Colorado, Opera Philadelphia, and Portland Opera. Connie is a member of USA 829 and a mentor with the ETC Fred Foster Mentorship Program. connieyun.com 

Select credits: Bigfoot; The Porch On Windy Hill; As You Like It, Suffs, The Visitor (The Public Theater); I Can Get It for You Wholesale, A Man of No Importance (Classic Stage Company); N/A (Lincoln Center); The Counterfeit Opera, Marriage of Figaro (Little Island); Fiddler on the Roof, The Sound of Music (Paper Mill Playhouse); Shout Sister Shout! (Ford’s Theatre); Exclusion (Arena Stage); The Heart Sellers (Milwaukee Repertory Theater); Almost Heaven (Weston Playhouse); New Victory Dance (New Victory Theater); CafeIn (Tokyo). Assistant Professor of Sound Design at Purchase College, SUNY. sunheekil.com

Jeffrey K. Hanson (he/him) has been a proud member of the Seattle theater community and Actors’ Equity for over 36 years. He has worked extensively as a production stage manager at ACT/Union Arts Center and The 5th Avenue Theatre. He is thrilled to return to Seattle Rep where he has been a stage manager for Laughs in Spanish, Metamorphoses (2024 and 2000), Selling Kabul, True West (1997), The Cider House Rules – Parts I & II, Private Eyes and All in the Timing. Other Seattle credits include shows at Seattle Children’s Theatre and Intiman.