Irene Sankoff and David Hein are the Olivier Award-winning and Tony and Grammy Award-nominated Canadian writing team behind the worldwide award-winning hit musical Come From Away, currently playing to over 100 countries on Apple TV+ and around the world. Their first show, My Mother’s Lesbian Jewish Wiccan Wedding—based on David’s mother’s true story—has won Best Musical awards across North America, with Sankoff and Hein performing in many productions. Together, they have written for Disney, Netflix, Warner Bros., HBO, and the CW, as well as Marvel Comics and the Canadian government. They are the recipients of the Four Freedoms Good Neighbor Award and the Meritorious Service Cross of Canada, which recognizes Canadians’ exceptional accomplishments. 

Seattle Rep: Lizard Boy (also Off-Broadway, Best Musical Drama Desk nomination). Regional: Oregon Shakespeare Festival, Paper Mill Playhouse, Williamstown Theatre Festival, TheatreWorks Silicon Valley, Goodspeed Musicals, Barrington Stage Company. NYC: The Public Theater/Joe's Pub, HERE Arts Center, Musical Theatre Factory, Prospect Musicals. International: Edinburgh Fringe Festival, Hope Mill Theatre. Currently Artistic Producer at Center Theatre Group in LA. Previously Associate Artistic Director at Village Theatre, Casting Director at The 5th Avenue Theatre, Artistic Director at Contemporary Classics. LCT Directors Lab. Drama League Directing Fellow. B.A. UW School of Drama. For Mom. @brandonivie 

William Carlos Angulo is thrilled to return to Seattle Rep where he choreographed In the Heights and Shout Sister Shout! Favorite recent choreography credits include Falsettos at Court Theatre, Poor Yella Rednecks at Manhattan Theatre Club, Presencia at The Bushwick Starr, Lucha Teotl at Goodman Theatre, and Legally Blonde at The Muny. He is a proud member of the Stage Directors and Choreographers Society and the Alliance of Latine Theatre Artists, and he currently serves as Director of Education for Dance Lab New York. Thanks to Brandon, Bobby, Tim, and Diego. @worldwidewilliam

Chris Ranney is thrilled to return to Seattle Rep for this 10th Anniversary production. He was last seen on stage at Seattle Rep in the original production of Come From Away and went on to spend five years on Broadway with the show. Other Broadway credits: A Christmas Story. Favorite Seattle credits include Paint Your Wagon, A Chorus Line, and Spamalot (The 5th Avenue Theatre). Chris performs frequently in New York with Tony Award-nominated actress Jenn Colella. He also plays traditional Irish and Scottish music on the button accordion and piano with partner Caitlin Warbelow. chrisranney.com

An-lin Dauber is thrilled to be back at Seattle Rep where she previously designed Primary Trust, Little Women, The Tempest, and Metamorphoses. Other Seattle credits include The Lehman Trilogy (ACT Theatre); The Scariest, Stupidest Time (Swim Pony); The Sign in Sidney Brustein’s Window (Intiman Theatre/The Feast); Champagne + Sodomy, Amen Corner, Marisol, and Blood Wedding (The Feast). Assistant Professor of Costume Design at the University of Washington. M.F.A. Yale School of Drama. Upcoming: Young Dragon at Seattle Children’s Theatre. anlindauber.com 

Designs for Seattle Rep include Laughs in Spanish, The Skin of Our Teeth, Fat Ham, Lydia and The Troll, I Am Not Your Perfect Mexican Daughter, Indecent, In the Heights, MAC BETH, I Am My Own Wife, Lizard Boy, and others. Regional: Theatre Under the Stars, Portland Center Stage, ACT, The 5th Avenue Theatre, The Old Globe, Pittsburgh Public Theater, Denver Center for the Performing Arts, Intiman Theatre, Milwaukee Rep, and Village Theatre. Film: The Jinkx and Dela Holiday Special, Potato Dreams of America. Robert is the Lighting Director at Seattle Rep and a member of USA 829. robertjaguilar.com 

Seattle Rep: Blue Door, Twelfth Night. Broadway: Aladdin, In Transit, Jekyll & Hyde, A Christmas Story: The Musical, Scandalous, Newsies, Memphis, The Threepenny Opera, Barefoot in the Park, Steel Magnolias. New York and Regional: The Old Globe, The 5th Avenue Theatre, McCarter Theatre Center, La Jolla Playhouse, Center Theatre Group, ACT (Seattle), Guthrie Theater, Dallas Theater Center, Playwrights Horizons, The New Group, New York Shakespeare Festival/The Public Theater, Signature Theatre Company, The Civilians, Mabou Mines, and international festivals and tours. 

Hattie Claire Andres is a theater director, producer, and educator working extensively across the region. Select directing credits: Public Works’ The Tempest and Twelfth Night (Seattle Rep); Waitress (Associate Director, The 5th Avenue Theatre); Into the Woods (Rising Star Project); Everybody and Aloha, Say the Pretty Girls (Cornish College); Village Theatre, Seattle Children’s Theatre, South Carolina Children’s Theatre, Pittsburgh Public Theater, Seattle Public Theater, and Pork Filled Productions. Hattie is an award-winning film producer and the incoming Artistic Producer at South Coast Rep.

Kate is a Seattle-based director, intimacy choreographer, and teaching artist. She is the co-Artistic Director and founder of Dacha Theatre and a founding member of the PNW Theatrical Intimacy Collective. She's worked locally with The 5th Avenue Theatre's Rising Star Project, ArtsWest, and the University of Washington School of Drama, among others. Recent intimacy credits: The Play That Goes Wrong, The Skin of Our Teeth (Seattle Rep); Late: A Cowboy Song (UW); Emma and the Dice Series (Dacha). Associate Member, SDC. M.F.A. in Directing, University of Washington. kate-drummond.com

Elisa Money (they/she/he) is a noisemaker and storyteller from Vancouver, Canada. Select credits: Revenge Song (Oregon Shakespeare Festival); Wakeman, Cowboy Bob (Village Theatre Festival of New Musicals); Miss Step (Village Theatre Beta Series); Lydia and the Troll, Shout Sister Shout! (Seattle Rep). They have contributed to productions at The 5th Avenue Theatre, Theater Mu, The Arsht Center, ACT, and others across the U.S. and Canada as music director, composer/lyricist, arranger/orchestrator, and copyist. Their music is available for streaming and was recently played on KEXP. @elisamoneymusic 

Kate Myre is a professor at Cornish College of the Arts and works nationally as a voice over artist and dialect coach. She has worked extensively with Pulitzer and Tony Award-winning playwright and director Brian Yorkey, and dialect and text coached his Netflix series "13 Reasons Why" as well as "Echoes" (2022) and "Outer Banks." In Oslo, Norway she coached the acclaimed production of The Hamlet Complex at the Royal Opera House, directed by Alan Oyen. She has coached for Seattle Rep, Seattle Children’s Theatre, ACT, Village Theatre, Seattle Public Theater, Immediate Theatre, Borealis Theater, Theater Schmeater, Jack Straw Foundation, and Boston Repertory Theatre. She is pleased and grateful to be working with Seattle Rep again. 

Kate Myre es un profesor en el Colegio de las Artes Cornish y trabaja nacionalmente como un artista de voz y director de dialecto. Ella ha trabajado extensivamente con el dramaturgo y director ganador de premios Pulitzer y Tony, Brian Yorkey, y fue la entrenadora de dialecto y texto para su serie de Netflix, "13 Reasons Why" al igual que "Echoes" (2022) y "Outer Banks." En Oslo, Noruega, ella entrenó a la aclamada producción de The Hamlet Complex en la Real Casa de la Ópera, dirigida por Alan Oyen. Ella ha sido entrenadora para el Seattle Rep, el Teatro Infantil de Seattle, ACT, Teatro Village, Teatro Público de Seattle, Teatro Immediate, Teatro Borealis, Teatro Schmeater, la Fundación Jack Straw, y el Teatro Repertorio de Boston. Ella está feliz y agradecida de estar trabajando con el Seattle Rep de nuevo.

Cedric Lamar is excited to be making his Seattle Rep debut! He recently closed Into the Woods at the Oregon Shakespeare Festival where he's been in many productions, such as Much Ado About Nothing, Mother Road, Hamlet, The Wiz, and Pericles. Last year, Cedric had the awesome experience of understudying and performing in the new Jason Robert Brown musical, The Connector, at MCC Theater. As a composer, his work has been seen at the Oregon Shakespeare Festival, Pennsylvania Shakespeare Festival, and Shakespeare Theatre of New Jersey. @cedricandthe7ages, cedriclamar.com  

Geoff Josselsen, CSA is an Artios Award winning Casting Director, specializing in theatrical casting for Broadway, Off-Broadway and major New York and Regional Theatre companies. His work covers a wide range of both plays and musicals, including readings, workshops and developmental productions, large-scale faithful re-mountings and bold new revivals, as well as award-winning world premieres.

Production Stage Manager, Seattle Rep, she/her. Select stage management credits: The Winter’s Tale, The Odyssey, As You Like It (Seattle Rep’s Public Works); The Servant of Two Masters (Seattle Rep, Shakespeare Theatre Company, Guthrie Theater, ArtsEmerson); Fat Ham, Shout Sister Shout!, MAC BETH, Here Lies Love, A Raisin in the Sun, All the Way, The Great Society, The Piano Lesson, Boeing Boeing, Fences, Gem of the Ocean (Seattle Rep); Sweeney Todd, Beauty and the Beast, Cinderella, Guys and Dolls, Cabaret (The 5th Avenue Theatre); Angels in America, A Doctor In Spite of Himself (Intiman Theatre); A Raisin in the Sun (Pittsburgh Public Theater); Brooklyn Bridge, Lyle the Crocodile (Seattle Children’s Theatre).

Director de Escena de Producción, Seattle Rep, she/her/ella. Créditos selectos de dirección de escena: The Winter’s Tale, The Odyssey, As You Like It (Obras Públicas del Seattle Rep); The Servant of Two Masters (Seattle Rep, Compañía de Teatro de Shakespeare, Teatro Guthrie, ArtsEmerson); Shout Sister Shout!, MAC BETH, Here Lies Love, A Raisin in the Sun, All the Way, The Great Society, The Piano Lesson, Boeing Boeing, Fences, Gem of the Ocean (Seattle Rep); Beauty and the Beast, Cinderella, Guys and Dolls, Cabaret (El Teatro 5th Avenue); Angels in America, A Doctor In Spite of Himself (Teatro Intiman); A Raisin in the Sun (Teatro Publico de Pittsburgh); Brooklyn Bridge, Lyle the Crocodile (Teatro Infantil de Seattle).